{"title":"一些散文作家的戏剧创作","authors":"Veronica-Alina Constanceanu","doi":"10.52505/filomod.2022.16.05","DOIUrl":null,"url":null,"abstract":"The dramatic text is primarily written to be played, the relationship between the text and the possible reader being secondary. The relationship with the director and the viewer is important. Dissecting the dramatic text must take into account its particularities. In this article we will focus on the writings of two novelists who also wanted to be playwrights. Novelist and screenwriter, indisputable star of post-war Romanian literature, Titus Popovici was also present in theaters with only two plays. Ştefan Agopian’s connection with the theater is accidental, he dramatized one of his books, but the text was not never performed on a stage.","PeriodicalId":146615,"journal":{"name":"Filologia modernă: realizări şi perspective în context european","volume":"96 5 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Dramaturgy of Some Prose Writers\",\"authors\":\"Veronica-Alina Constanceanu\",\"doi\":\"10.52505/filomod.2022.16.05\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The dramatic text is primarily written to be played, the relationship between the text and the possible reader being secondary. The relationship with the director and the viewer is important. Dissecting the dramatic text must take into account its particularities. In this article we will focus on the writings of two novelists who also wanted to be playwrights. Novelist and screenwriter, indisputable star of post-war Romanian literature, Titus Popovici was also present in theaters with only two plays. Ştefan Agopian’s connection with the theater is accidental, he dramatized one of his books, but the text was not never performed on a stage.\",\"PeriodicalId\":146615,\"journal\":{\"name\":\"Filologia modernă: realizări şi perspective în context european\",\"volume\":\"96 5 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Filologia modernă: realizări şi perspective în context european\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.52505/filomod.2022.16.05\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Filologia modernă: realizări şi perspective în context european","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.52505/filomod.2022.16.05","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The dramatic text is primarily written to be played, the relationship between the text and the possible reader being secondary. The relationship with the director and the viewer is important. Dissecting the dramatic text must take into account its particularities. In this article we will focus on the writings of two novelists who also wanted to be playwrights. Novelist and screenwriter, indisputable star of post-war Romanian literature, Titus Popovici was also present in theaters with only two plays. Ştefan Agopian’s connection with the theater is accidental, he dramatized one of his books, but the text was not never performed on a stage.