从图像的角度分析弗里达·卡罗的作品——以《戴荆棘项链和蜂鸟的自画像》为例

Jie Chen, Fan Liu
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摘要

弗里达·卡罗(Frida Kahlo, 1907-1954)是20世纪墨西哥著名女画家,也是现代女性艺术家的先驱。她自己的经历非常传奇。《戴着荆棘项链和蜂鸟的自画像》创作于1940年,是弗里达在丈夫里维拉(Diego Rivera, 1886-1957,墨西哥著名壁画艺术家)提出再婚时创作的。一个自画像。本文在了解弗里达生平的前提下,运用帕诺夫斯基提出的肖像学理论,从前像、形象、形象三个方面对《戴荆棘项链和蜂鸟的自画像》进行了作品的创作。探索并尝试理解弗里达在画中隐藏的情感。同时,在这个作品中学习运用图像分析的方法,也可以帮助我们在以后的作品中去解读其他的作品,并在创作自己的作品时加以运用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Analysis of Frida Kahlo’s Works From the Point of View of Imagery-Taking “Self-Portrait Wearing a Thorns Necklace and Hummingbird” for Example
Frida Kahlo (Frida Kahlo, 1907-1954) is a famous female painter of Mexico in the 20th century and a pioneer of modern female artists. Her own experience is very legendary. "Self-Portrait Wearing a Thorns Necklace and Hummingbird" was created in 1940 and was created by Frida when her husband, Rivera (Diego Rivera, 1886-1957, a famous Mexican mural artist) proposed remarriage. A self-portrait. Based on the premise of understanding the life of Frida, this article uses the theory of iconography proposed by Panovsky to carry out the work of "Self-Portrait Wearing a Thorns Necklace and Hummingbird" in the three aspects of pre-image, image and image. Explore and try to understand Frida’s hidden emotions in the painting. At the same time, learning to use image analysis methods in this work can also help us to interpret other works in the future and use them when creating our own works.
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