吴绮莉《我从未告诉你的一切》中的家庭秘密与叙事结构

Aitor Ibarrola-Armendariz
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引用次数: 0

摘要

塞莱斯特·吴的小说《我从未告诉你的一切》(2014)被认为结合了文学惊悚小说的一些常规元素和其他不太常见的特征,使其在该类型中的分类变得复杂。虽然我们从第一页就知道小说的主人公,16岁的莉迪亚·李已经死了,但发现这个华裔美国女孩可能被谋杀的幕后黑手是谁,证明是故事中较小的谜团之一。当读者仍然对可能导致Lydia死亡的力量/人感兴趣时,与Lee家族其他成员相关的其他谜团不断出现,结果与主角的命运密切相关。本文探讨了小说中充满秘密的结构,在李夫妇对莉迪亚之死的猜测、这件事对他们生活的影响以及主人公自己的故事版本之间来回切换。吴恩达深入探讨了性别、种族和其他类型的差异性问题,这些问题催生了推动故事发展的大部分秘密。本文借助Frank Kermode、Derek Attridge等学者的理论,强调了家族秘密作为吴恩达小说结构原则的中心地位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Family Secrets and Narrative Structure in Celeste Ng's Everything I Never Told You
Celeste Ng’s novel Everything I Never Told You (2014) has been said to combine some stock ingredients of literary thrillers with other less customary features that complicate its classification in that genre. Although we learn from page one that the protagonist of the novel, sixteen-year-old Lydia Lee, is dead, discovering who is behind the possible murder of this Chinese American girl proves to be one of the lesser mysteries in the story. While the reader remains intrigued by the forces/people that may have driven Lydia to her demise, other enigmas—related to the other members of the Lee family—keep cropping up and turn out to be closely linked to the protagonist’s fate. This article explores the secret-saturated structure of the novel, which moves back and forth between the Lees’ speculations about Lydia’s death, the impact that the event has on their lives and the protagonist’s own version of the story. Ng delves deep into the issues of gender, race and other types of otherness that spawn most of the secrets driving the story. Assisted by theories expounded by Frank Kermode, Derek Attridge and other scholars, the article highlights the centrality of family secrets as a structuring principle in Ng’s novel.
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