维米尔的工作室和拿笛子的女孩:来自国家美术馆的新发现

Marjorie E. Wieseman, Alexandra Libby, Melanie Gifford, Dina Anchin
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引用次数: 2

摘要

《拿笛的女孩》(华盛顿国家美术馆)粗犷的笔法和尴尬的人物形象,让很多人怀疑约翰内斯·维米尔(Johannes Vermeer)是否也画了这幅作品,他画的《戴红帽子的女孩》(华盛顿国家美术馆)表面上很相似。在过去的两年里,策展人、保护人员和科学家合作解决了围绕这幅画的不确定性,并确定这幅画实际上不是维米尔的作品。创作这幅作品的艺术家非常熟悉维米尔独特的工作方法,并使用了相同的材料和技术,但无法达到维米尔的精致或专业水平,这令人好奇的可能性是,维米尔在他的工作室里有同事与他一起工作。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Vermeer’s Studio and the Girl with a Flute: New Findings from the National Gallery of Art
The blocky brushwork and awkwardly positioned figure of Girl with a Flute (National Gallery of Art, Washington) have led many to doubt whether Johannes Vermeer, who painted the superficially similar Girl with the Red Hat (National Gallery of Art, Washington), also made this work. Over the last two years, curators, conservators, and scientists collaborated to resolve the uncertainty surrounding this painting and determined that the painting is not, in fact, by Vermeer. The artist who created this work was intimately familiar with Vermeer’s unique working methods and used the same materials and techniques but was unable to achieve Vermeer’s level of delicacy or expertise—raising the intriguing possibility that Vermeer had associates working with him in his studio.
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