{"title":"数字解码?在网络空间中变得不分性别","authors":"Emerson Hurley","doi":"10.31273/reinvention.v15i2.900","DOIUrl":null,"url":null,"abstract":"The online self is a new kind of body, producing new kinds of affects and offering new opportunities for self-expression. This paper draws on the ontological framework developed by Gilles Deleuze and Félix Guattari in their seminal work Capitalism and Schizophrenia (1983; 1987) to explore the operation of gender in digital space. The constitution of the (gendered) self online is understood as a deliberate, measured act, allowing users to curate their identities in ways more fully expressive of their desires than is possible offline. Two possibilities thus emerge: the imposition of gendered subjectivities may be resisted – and perhaps escaped altogether – or the masculine/feminine binary may be further entrenched through the visual medium. In either case, the Internet Age is characterised by more dynamic, creative and intense modes of gender politics.","PeriodicalId":183531,"journal":{"name":"Reinvention: an International Journal of Undergraduate Research","volume":"106 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Digital Decodings? Becoming-Ungenderable in Online Spaces\",\"authors\":\"Emerson Hurley\",\"doi\":\"10.31273/reinvention.v15i2.900\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The online self is a new kind of body, producing new kinds of affects and offering new opportunities for self-expression. This paper draws on the ontological framework developed by Gilles Deleuze and Félix Guattari in their seminal work Capitalism and Schizophrenia (1983; 1987) to explore the operation of gender in digital space. The constitution of the (gendered) self online is understood as a deliberate, measured act, allowing users to curate their identities in ways more fully expressive of their desires than is possible offline. Two possibilities thus emerge: the imposition of gendered subjectivities may be resisted – and perhaps escaped altogether – or the masculine/feminine binary may be further entrenched through the visual medium. In either case, the Internet Age is characterised by more dynamic, creative and intense modes of gender politics.\",\"PeriodicalId\":183531,\"journal\":{\"name\":\"Reinvention: an International Journal of Undergraduate Research\",\"volume\":\"106 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-10-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Reinvention: an International Journal of Undergraduate Research\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31273/reinvention.v15i2.900\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Reinvention: an International Journal of Undergraduate Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31273/reinvention.v15i2.900","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Digital Decodings? Becoming-Ungenderable in Online Spaces
The online self is a new kind of body, producing new kinds of affects and offering new opportunities for self-expression. This paper draws on the ontological framework developed by Gilles Deleuze and Félix Guattari in their seminal work Capitalism and Schizophrenia (1983; 1987) to explore the operation of gender in digital space. The constitution of the (gendered) self online is understood as a deliberate, measured act, allowing users to curate their identities in ways more fully expressive of their desires than is possible offline. Two possibilities thus emerge: the imposition of gendered subjectivities may be resisted – and perhaps escaped altogether – or the masculine/feminine binary may be further entrenched through the visual medium. In either case, the Internet Age is characterised by more dynamic, creative and intense modes of gender politics.