A. Saputra, Trianti Nugraheni
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摘要

这篇文章的目的是描述在楠榜市的Negeri Olok Gading, Bandar Lampung的Bedana舞蹈中男性角色的研究结果。本研究采用定性范式和描述性方法。本研究采用观察法、访谈法和文献法收集资料。本研究的方法是文化历史和民族舞蹈学方法。研究结果表明,贝达那舞于1942年首次出现在南榜的巨港村。后来,它发展到整个楠榜。贝达纳舞最初用于伊斯兰教(传播伊斯兰教)。后来,目的变成了表演或娱乐。贝达纳舞是由两个男人表演的。男子在Bedana舞蹈中的角色象征着Bedana,因为da 'wah(伊斯兰说教)媒体有宗教规范,其中舞蹈本身不能由非mahram(非法亲属)夫妇表演,以维持规范。它也作为贝达纳舞蹈本身的身份。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Men’s Role in Bedana Dance in Negeri Olok Gading, Bandar Lampung, Lampung Province
The aim of this article was describing the result of research on man’s role in Bedana dance in Negeri Olok Gading, Bandar Lampung, Lampung. This research used qualitative paradigm with descriptive method. The techniques of data collection used in this research were observation, interview, and documentation. The approach of this research was culturalhistorical and ethnochoreological approach. The result of this research showed that Bedana dance firstly appeared in Palembang village, Teluk Betung, Lampung in 1942. Afterwards, it developed through the entire Lampung. Bedana dance was originally used for Syiar Islam (spreading Islamic religion). Later on, the purpose changed to be a performance or entertainment. Bedana dance was performed by two men. The man’s role in Bedana dance symbolized Bedana as da’wah (Islamic preaching) media had religious norms in which the dance itself could not be performed by non-mahram (illegal relatives) couple in order to maintain the norms. It also functioned as the identity of Bedana dance itself.
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