二十世纪二十年代下半叶乌克兰电影冒险类型的发展

O. Bezruchko, V. Myslavskyi
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引用次数: 0

摘要

我们的研究是基于广泛的鲜为人知的出版物在乌克兰和俄罗斯期刊1922-1930。本文分析了二十世纪二十年代下半叶乌克兰电影中冒险类型的发展。成功者定义历史。全乌克兰电影和摄影管理局的专家制作的关于乌克兰内战(苏乌战争(1917-1921))的冒险电影与苏联政府坚持不懈地试图将乌克兰人民在1917-1921年为期望的独立和自己的国家而斗争的真实历史改写为伪造的“电影史”有关。然而,这些电影主要是根据当时流行的“宣传片”(kinoagitka)的简化方案制作的,其中有“白色”,“红色”,“绿色”,马赫诺夫主义者,白色后方,红色地下,斗争和胜利。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Development of the adventure genre in Ukrainian cinema in the second half of the twenties of the twentieth century
Our research is based on a wide range of little-known publications in the Ukrainian and Russian periodicals 1922–1930. In this article we analyze the development of the adventure genre in Ukrainian cinema in the second half of the twenties of the twentieth century. Winners define history. The making of adventure films about the Civil War (Soviet-Ukrainian war (1917–1921)) in Ukraine by specialists of the All-Ukrainian Cinema and Photo Administration was associated with the persistent attempts of the Soviet government to rewrite the real history of the struggle of the Ukrainian people for the desired independence and their own statehood in 1917–1921 into a falsified "film history". However, these films were made mainly according to the simplified scheme of the popular at that time "kinoagitka" (propaganda films), where there were schematic "white", "red", "green", Makhnovists, white rear, red underground, struggle and victory.
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