逐渐clowngesichtig .保罗·塞兰斯作为现代作家创作的一个文学面具

Laura Cheie
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引用次数: 0

摘要

大多数时候,疯子的悲剧面具都吸引了艺术和文学的现代性,通过其复杂的表现力和语义启发了一系列画家和作家。悲剧小丑的面具在谎言与真相之间取得平衡,通过无政府状态和精湛技艺,掩盖和揭示,反映了孤独,焦虑和现代个体在暴力和异化世界中的恶魔。在策兰晚期诗歌中,悲剧小丑的面具描述了另一种卡夫卡式的变形,本文从文化、传记和互文的角度对其进行了分析。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Allmählich clowngesichtig. Zu einer literarischen Maske des modernen Autors am Beispiel Paul Celans
Abstract Most of the times the tragic mask of the madman has fascinated artistic and literary modernity, inspiring a series of painters and writers through its complex expresivity and semantics. Balancing between lie and truth, covering and revelating, through anarchy and virtuosity, the mask of the tragic clown reflects loneliness, the anxieties and demones of the modern individual in a world of violence and alienation. In Celan’s late poetry, the mask of the tragic clown describes another kafkian metamorphosis which the present paper analyses in a cultural, biographic and intertextual context.
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