朱利奥·罗马诺的矫饰主义:创新与戏剧意象

S. Linda
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摘要

朱利奥·罗马诺(Giulio Romano)是文艺复兴后期曼图亚(Mantua)著名的意大利风格主义建筑师,他对建筑工艺的发展做出了重大贡献,并提出了解释现代使用的秩序系统的方法。该研究旨在将建筑师的活动呈现为古典秩序系统发展的自然步骤。采用了系统化、比较性和共时性分析的方法。该研究从艺术的角度分析了朱利奥·罗马诺最重要的实现对象:宫殿del Te,宫殿Duccale中的Cavalerizza和建筑师在曼图亚的房子。展示了艺术家如何诠释秩序体系,形成一种独特的建筑风格,在构图上充满戏剧性和张力。该研究提出了一个概念,解释了矫饰主义出现的原因,这是基于文艺复兴时期建筑师对他们在历史进程中的地位的看法。这表明,建筑师对他们的时代的理解优于古代大师,并且意识到永久发展的理念是历史进程的基础,这为风格主义创造了方法论和方法论的先决条件,可以用“风格化”一词来描述。研究还证明,文艺复兴后期提出的解释秩序体系的方法是在后现代主义实践中发展起来的,并没有失去其现实性
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The Mannerism of Giulio Romano: Innovation and dramatic imagery
Giulio Romano was a prominent Italian Mannerist architect from Mantua of the Late Renaissance who made a significant contribution to the development of architectural processes and proposed methods of interpreting the order system used in the modern era. The research aims to present the architect's activity as a natural step in the development of the classical order system. The methods of systematisation, comparative and synchronic analyses were used. The study analyses from the artistic point of view the most significant realised objects by Giulio Romano: Palazzo del Te, Cavalerizza in Palazzo Duccale, and the architect's house in Mantua. It is shown how the artist interpreted the order system to form an individual architectural style, full of drama and tension in composition. The study proposes a concept that explains the reason for the emergence of Mannerism, which is based on the Renaissance architects' perception of their place in the historical process. It is shown that the architects' understanding of their time as superior to the masters of antiquity and the awareness of the idea of permanent development as the basis of the historical process created a methodological and methodological prerequisite for Mannerism, which can be described by the term "stylisation". The study also proves that the methods of interpreting the order system proposed during the Late Renaissance were developed in the practice of postmodernism and have not lost their relevance in the present
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