{"title":"Nava 'i 's Khamseh的插图副本,Pir Ahmed bin İskender: TSMK。h . 802","authors":"Gülsen Tezcan Kaya","doi":"10.52773/tsuull.uzlc.2021.1/flxp2909","DOIUrl":null,"url":null,"abstract":"Ali Shir Nava’i (d.1501) was a famous statesman, poet and linguist, a political and cultural identity in the Timurid capital, Herat at the end of the 15th century. The subject of this research is the first and only illustrated copy of Ali Shir Nava’i’s Khamseh, which was produced in the Ottoman Royal Atelier. The colophon on folio 309v of this copy, dating 937/1530-31, shows that the calligrapher, bookbinder and the painter of this Khamseh as Pir Ahmed bin Iskender. This copy includes a total of 16 illustrations, two of which depict scenes from Hayrat-ul-abrar, seven of which depict scenes from Farhadva Shirin, three of which depict scenes from Layli va Majnun, three of which depict scenes from Sab'ai Sayyar and one of which depicts scenes from Sadd-i-Iskandari. This manuscript, which appears to be an original example with both the choice of subject in the paintings and the style of the paintings, is important in terms of pioneering the historical and literary manuscripts prepared in the period of Suleiman the Magnificent and after wards.","PeriodicalId":276633,"journal":{"name":"Uzbekistan: language and culture","volume":"5 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"An Illustrated Copy of Nava’i’s Khamseh by Pir Ahmed bin İskender: TSMK. H. 802\",\"authors\":\"Gülsen Tezcan Kaya\",\"doi\":\"10.52773/tsuull.uzlc.2021.1/flxp2909\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Ali Shir Nava’i (d.1501) was a famous statesman, poet and linguist, a political and cultural identity in the Timurid capital, Herat at the end of the 15th century. The subject of this research is the first and only illustrated copy of Ali Shir Nava’i’s Khamseh, which was produced in the Ottoman Royal Atelier. The colophon on folio 309v of this copy, dating 937/1530-31, shows that the calligrapher, bookbinder and the painter of this Khamseh as Pir Ahmed bin Iskender. This copy includes a total of 16 illustrations, two of which depict scenes from Hayrat-ul-abrar, seven of which depict scenes from Farhadva Shirin, three of which depict scenes from Layli va Majnun, three of which depict scenes from Sab'ai Sayyar and one of which depicts scenes from Sadd-i-Iskandari. This manuscript, which appears to be an original example with both the choice of subject in the paintings and the style of the paintings, is important in terms of pioneering the historical and literary manuscripts prepared in the period of Suleiman the Magnificent and after wards.\",\"PeriodicalId\":276633,\"journal\":{\"name\":\"Uzbekistan: language and culture\",\"volume\":\"5 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-03-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Uzbekistan: language and culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.52773/tsuull.uzlc.2021.1/flxp2909\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Uzbekistan: language and culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.52773/tsuull.uzlc.2021.1/flxp2909","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
阿里·希尔·纳瓦伊(Ali Shir Nava 'i, 1501年左右)是15世纪末帖木儿首都赫拉特的一位著名政治家、诗人和语言学家。这项研究的主题是Ali Shir Nava 'i的Khamseh的第一个也是唯一的插图副本,它是在奥斯曼帝国皇家工作室制作的。该抄本的第309v对开本上的注释(日期为937/1530- 1531)显示,这幅《哈姆塞》的书法家、装订商和画家为Pir Ahmed bin Iskender。本副本共包括16幅插图,其中两幅描绘了hayratu -ul-abrar的场景,七幅描绘了Farhadva Shirin的场景,三幅描绘了Layli va Majnun的场景,三幅描绘了Sab'ai Sayyar的场景,一幅描绘了saddi -i- iskandari的场景。这份手稿在绘画主题的选择和绘画风格上似乎都是一个原创的例子,在开拓苏莱曼大帝时期和之后准备的历史和文学手稿方面具有重要意义。
An Illustrated Copy of Nava’i’s Khamseh by Pir Ahmed bin İskender: TSMK. H. 802
Ali Shir Nava’i (d.1501) was a famous statesman, poet and linguist, a political and cultural identity in the Timurid capital, Herat at the end of the 15th century. The subject of this research is the first and only illustrated copy of Ali Shir Nava’i’s Khamseh, which was produced in the Ottoman Royal Atelier. The colophon on folio 309v of this copy, dating 937/1530-31, shows that the calligrapher, bookbinder and the painter of this Khamseh as Pir Ahmed bin Iskender. This copy includes a total of 16 illustrations, two of which depict scenes from Hayrat-ul-abrar, seven of which depict scenes from Farhadva Shirin, three of which depict scenes from Layli va Majnun, three of which depict scenes from Sab'ai Sayyar and one of which depicts scenes from Sadd-i-Iskandari. This manuscript, which appears to be an original example with both the choice of subject in the paintings and the style of the paintings, is important in terms of pioneering the historical and literary manuscripts prepared in the period of Suleiman the Magnificent and after wards.