在“表象”与“存在”之间:罗伯特·弗罗斯特在《摘苹果之后》中对人的生存困境的书写

Cheng Dang
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引用次数: 0

摘要

曾四次获得普利策诗歌奖的罗伯特·弗罗斯特被视为一个传奇人物,不仅在他自己的一生中,而且在整个美国文学史上都是一个偶像,他是“一个几乎像花岗岩一样的人物,值得在拉什莫尔山或类似的诗人万神殿中占有一席之地”[1]。他的诗歌大多以宁静的新英格兰风景为背景,虽然“看似简单”,但却具有深刻的地域色彩,在字面和内涵上都很深刻。他是一个用自己的语言描绘真实生活的人,并告诉人们当他们面临生活中的重大时刻时他们应该做什么。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Between “Seeming” and “Being”: Robert Frost’s writing of Man’s Existential Dilemma in “After Apple-Picking”
Having received four times of Pulitzer Prize for Poetry, Robert Frost is regarded as a legendary figure and has become an icon not only in his own lifetime but also in the whole American literary history, and he is “an almost granite-like figure worthy of a place on Rushmore or a similar pantheon of poets” [1]. His poetry, most of which is against the backdrop of the landscape of tranquil New England, though “deceptively simple”, embraces a profound regional hue and is deep in both literal and connotative meanings. He is a man who uses his own language to depict what real life is like and tells people what they should do when they are confronted with big moments in life.
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