文化空间模式及其要素身份问题

O. Grytsenko
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引用次数: 1

摘要

本文描述了全球化时代国家文化空间的两种模式:拓扑模式(将其描述为一个拓扑集合)和多圈模式。后者是基于洛特曼的符号圈概念和J.基恩的公共领域概念。利用洛特曼的核心思想和基恩的“以广播、电视和报纸为媒介的国家结构和地域性公共生活的旧主导地位即将结束”的思想,以及围绕媒体渠道形成的众多公共领域,作者认为,在将公共领域呈现为一组元素的模型中,有一个特殊的元素,即生成器,它在公共领域中传播文化内容。据推测,公共领域的所有元素(文化文本、媒体渠道等)和公共领域作为一个整体,都具有身份。民族文化空间是具有民族认同或文化相容的公共领域的集合。这样的文化空间与国家领土相连,但不受其限制。公共领域的身份不是由它的创造者决定的,尽管这种相关性很强。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Models of Cultural Space and the Issue of Identities of Its Elements
The article describes two models of a nation’s cultural space in the age of globalization: the topological one (describing it as a topological set), and the polyspheric one. The latter is based upon Lotman’s concept of semiosphere and J. Keane’s notion of public sphere. Using Lotman’s idea of the nucleus, and Keane’s thougnt that “the old dominance of state-structured and territorially bounded public life mediated by radio, TV and newspapers is coming to an end”, and there are numerous public spheres formed around media outlets, it is suggested that, in a model presenting a public sphere as a set of elements, there is a special element, the generator, that communicates cultural content in the public sphere. It is presumed that all elements of a public sphere (texts of culture, media outlets etc), and the public sphere as a whole, have identities. A national cultural space is an aggregate of public spheres which share the national identity or are culturally compatible with it. Such a cultural space is linked to the national territory but not limited by it. The identity of a public sphere is not determined by its generator, although the correlation is strong.
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