斯堪的纳维亚地区电视剧文化艺术传统的解读

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引用次数: 0

摘要

这篇文章的材料一方面系统化了斯堪的纳维亚国家在制作侦探和犯罪类型剧集方面的电视创作资产,另一方面确定了19世纪和20世纪在该地区领土上形成的文化和艺术传统对他们创作的影响。把重点放在侦探犯罪类型上似乎是很自然的,因为它不仅主导了斯堪的纳维亚半岛的电视制作,而且还积极地利用了“惊悚”的潜力,这使这部剧具有了特殊的色彩。“翻拍”现象也备受关注,艺术家们积极尝试,拓展了银幕形象的艺术性和情感表现力。对斯堪的纳维亚地区的侦探犯罪类型连续剧的理解是在时间顺序的基础上进行的,这在应用文化分析的过程中是必要的。经验材料的选择是由文章作者的审美和艺术立场决定的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Interpretation of cultural and artistic traditions in TV series of the Scandinavian region
The material of the article, on the one hand, systematizes the creative assets of the television of the Scandinavian countries regarding the production of series of the detective and crime genre, and on the other hand, determines the influence on their creation of cultural and artistic traditions that were formed in the territory of this region during the 19th and 20th centuries. The emphasis placed on the detective-crime genre seems quite natural, because it not only dominates the television productions of Scandinavia, but also actively uses the potential of the "thriller", which gives the series a special color. Attention is also focused on the "remake" phenomenon, with which artists are actively experimenting, expanding the artistic and emotional expressiveness of the screen image. The understanding of the detective-criminal genre of series productions of the Scandinavian region is carried out on the basis of a chronological approach, which is necessary in the process of applying cultural analysis. The choice of empirical material is determined by the aesthetic and artistic position of the author of the article.
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