强盗与诗人:鲍里斯·雷日诗歌中的后苏联一代形象

Jonghyeon Lee
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摘要

鲍里斯·雷日(1974-2001)已成为现代俄罗斯文化的象征。然而,他很少受到评论家或研究人员的关注,因此他的诗歌一直没有被作为后苏联时代的抒情诗来分析。然而,他的诗歌可以这样描述,因为它处理了在苏联和后苏联时代之间的桥梁时期成年的一代人的特点。雷日从这一代人的悲剧中衍生出“土匪与诗人”的形象,并以多种方式表现出来。这两个人物通过一个明显的时间“夜晚”来调解,强盗和诗人都面对残酷的现实生活。同样,暴力与诗歌的融合成为后苏联时期文化的特征。正如一些研究者所评论的那样,亚文化语言与高雅文化语言的独特结合应该通过后苏联时期暴力与诗歌之间关系的动态来检验。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Bandits and Poets: Images of the Post-Soviet Generation in the Poems of Boris Ryzhy
Boris Ryzhy (1974-2001) has become a symbol of modern Russian culture. However, he has received little attention from critics or researchers, and so his poetry has been left unanalyzed as a post-Soviet lyric. Nevertheless, his poetry can be characterized this way because it deals with the peculiarities of the generation that came of age during the period that bridged Soviet and the post-Soviet eras. Ryzhy derived the image of “bandits and poets” from the tragedy of this generation, and the image manifests itself in various ways. The two figures are mediated through a marked time “night” when bandits and poets alike face the harsh reality of life. Likewise, violence blended with the poetry comes to characterize the culture of the post-Soviet period. The unique combination of the languages of subculture and high culture as commented upon by several researchers should be examined via the dynamics of the post-Soviet relationship between violence and poetry.
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