沙捞越中部伊班和奥朗乌鲁妇女手工艺品生产中的问题和挑战

Song, Rh Jarop, Kanowit, Rh Alexander Luntang, Belaga, Rh Bawan
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引用次数: 1

摘要

马来西亚在Jabatan Warisan Negara下努力保护手工艺品,并在马来西亚手工艺发展公司下促进小规模生产。还有一个非政府组织致力于促进和保护砂拉越的手工艺品,如砂拉越社会工作室。2016年,砂拉越的七个工艺品获得了著名的联合国教科文组织/世界工艺品卓越奖。然而,在促进马来西亚手工业发展的基层,情况却有所不同。本文旨在找出沙捞越中部从事手工业生产的伊班妇女所面临的问题。本研究采用深度访谈和参与式农村评价的定性研究方法。本研究共访问了17个长屋,并对34名从事手工业生产的妇女进行了访谈。调查结果显示,手工艺的主要类型是垫子、编织纺织品(pua kumbu)、珠子、珠宝和配件、篮子、包和纪念品,如钥匙链。延续传统的主要原因包括兴趣、生活方式和自我消费以及寻求额外收入。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Issues and Challenges In the Production of Handicrafts by Iban and Orang Ulu Women in Central Sarawak
Malaysia has made an effort to protect handicrafts under Jabatan Warisan Negara and promote small scale production under the Malaysian Handicraft Development Corporation. There is also an NGO working to promote and preserve handicrafts in Sarawak, such as the Society Atelier Sarawak. Seven of Sarawak’s handicraft have been awarded the prestigious UNESCO/World Crafts Award of Excellence in 2016. However, at the grass root level amidst the efforts to promote handicraft industry in Malaysia, the scenario differs. This paper aims to identify issues and problems faced by Iban women who are involved in handicraft production in Central Sarawak. This research employs a qualitative approach through in-depth interview and participatory rural appraisal. A total of 17 longhouses were visited for the study and interviews were conducted on 34 women who were involved in handicraft production. Findings show that the main type of handicraft are mat, weaved textile (pua kumbu), beads jewelleries and accessories, baskets, bags and souvenir items like key chain. The main reasons for continuing the tradition includes interest, way of life and self-consumption and seeking for additional income.
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