时间体验与银幕暴力:动作电影中的数字“奥内尔”

T. Livingstone
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引用次数: 0

摘要

本文首先考察了屏幕媒体与时间体验之间的关系,特别是关于数字“人”的关系,探讨了当今时间体验的本质。我使用《王牌特工》系列电影来分析“终结者”的组成部分,重点关注这些效果及其模块化部署如何与观众的注意力和时间流逝的感觉相互作用。我的结论表明,在数字“制造者”中产生的连续性实例化了一种抽象暴力形式,它是更广泛的时间经验的组成部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Temporal Experience and On-Screen Violence: The Digital “Oner” in Action Cinema
This essay explores the nature of temporal experience today by first examining the relationship between screen media and temporal experience, specifically with regards to the digital “oner.” I use the films from the Kingsman franchise to analyse the constituent parts of the “oner” focussing on how these effects and their modular deployment interact with spectatorial attention and the sensation of passing time. My conclusion suggests that the production of continuity within digital “oners” instantiates a form of abstract violence that is a constituent part of temporal experience more broadly.
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