{"title":"时间体验与银幕暴力:动作电影中的数字“奥内尔”","authors":"T. Livingstone","doi":"10.22618/tp.pjcv.20204.2.1763001","DOIUrl":null,"url":null,"abstract":"This essay explores the nature of temporal experience today by first examining the relationship between screen media and temporal experience, specifically with regards to the digital “oner.” I use the films from the Kingsman franchise to analyse the constituent parts of the “oner” focussing on how these effects and their modular deployment interact with spectatorial attention and the sensation of passing time. My conclusion suggests that the production of continuity within digital “oners” instantiates a form of abstract violence that is a constituent part of temporal experience more broadly.","PeriodicalId":220201,"journal":{"name":"The Philosophical Journal of Conflict and Violence","volume":"18 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Temporal Experience and On-Screen Violence: The Digital “Oner” in Action Cinema\",\"authors\":\"T. Livingstone\",\"doi\":\"10.22618/tp.pjcv.20204.2.1763001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay explores the nature of temporal experience today by first examining the relationship between screen media and temporal experience, specifically with regards to the digital “oner.” I use the films from the Kingsman franchise to analyse the constituent parts of the “oner” focussing on how these effects and their modular deployment interact with spectatorial attention and the sensation of passing time. My conclusion suggests that the production of continuity within digital “oners” instantiates a form of abstract violence that is a constituent part of temporal experience more broadly.\",\"PeriodicalId\":220201,\"journal\":{\"name\":\"The Philosophical Journal of Conflict and Violence\",\"volume\":\"18 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Philosophical Journal of Conflict and Violence\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.22618/tp.pjcv.20204.2.1763001\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Philosophical Journal of Conflict and Violence","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22618/tp.pjcv.20204.2.1763001","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Temporal Experience and On-Screen Violence: The Digital “Oner” in Action Cinema
This essay explores the nature of temporal experience today by first examining the relationship between screen media and temporal experience, specifically with regards to the digital “oner.” I use the films from the Kingsman franchise to analyse the constituent parts of the “oner” focussing on how these effects and their modular deployment interact with spectatorial attention and the sensation of passing time. My conclusion suggests that the production of continuity within digital “oners” instantiates a form of abstract violence that is a constituent part of temporal experience more broadly.