文化游牧主义与圣地亚哥·甘博亚的《El síndrome de Ulises》(2005)中的他者表现

A. Rees
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引用次数: 0

摘要

费尔南多Aínsa认为,当代拉丁美洲的叙事已经被标记为游牧状态。有鉴于此,本文检视了哥伦比亚作家Santiago Gamboa的《El síndrome de Ulises》中文化游民的形象,以分析这个主题在移居巴黎后,如何协商和重新配置他们的身份。它认为,传统的民族、血统和个人历史概念已经被工作、关系和消费主义概念所取代,成为创造身份和主体性的关键因素。此外,它还探讨了文化游牧叙述者参与当前围绕“有文字”的知识分子在话语中代表和概括他者的能力的辩论,不仅在个人层面上,而且与欧洲-拉丁美洲范式有关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Cultural nomadism and the representation of otherness in Santiago Gamboa’s El síndrome de Ulises (2005)
Fernando Aínsa maintains that contemporary Latin American narrative has been marked by the nomadic condition. In light of this observation, this article examines the figure of the cultural nomad in Colombian author Santiago Gamboa’s El síndrome de Ulises, to analyse the ways in which this subject negotiates and reconfigures their identity as a consequence of relocating to Paris. It argues that the traditional notions of nationality, origin, and personal history have been superseded by the concepts of work, relationships, and consumerism as key factors in the creation of identity and a sense of subjectivity. Moreover, it explores the culturally nomadic narrator’s engagement with current debates surrounding the ability of the ‘lettered’ intellectual to represent and encapsulate otherness in discourse, not only on an individual level but also in relation to the Europe-Latin America paradigm.
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