回指的优先顺序和艺术之间的亲和力

Raffaele Milani
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引用次数: 0

摘要

面对数字和视觉艺术的最新发展,互联网,最新的前沿和潮流,新的语言和技术,苏里奥的图式不起作用,但他对复原和拟人美学概念的思考却起作用,它们既适用于古典绘画,也适用于未来的前景。事实上,我们注意到,从联觉和结构对应的角度来看,这与哲学家对感觉、关系、形式和过程的研究有很强的联系。在他的思想基础上,我们仍然可以争论这些概念和关系的重要性,因为它们与物理和现象的存在,与物质性和超越性有关:一个被认为是永恒的概念和想象的普遍。艺术被视为能够表演纯粹物理动作的事物的生产者。他之所以这样说,是因为这些行为明确地、有意地创造了事物,而这些事物的存在是它们唯一的目的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
the The prioritization of anaphora and the affinities among the arts
In the face of the most recent developments in digital and visual art, the Internet, the latest frontiers and currents, the new languages and technologies, Souriau’s schema does not work, but his reflections on the aesthetic notions of instauration and skeuopoetics do, and they pertain both to classical painting and to future perspectives. In fact, we note strong connections with research that the philosopher had had conducted on feelings, relations, forms, and processes, in terms of synaesthesia and structural correspondences. On the basis of his thinking, we can still argue the importance of these concepts and these relations as they relate to physical and phenomenal existence, to materiality and transcendence: a conceptual and imaginative universal that is considered to be eternal. Art is seen as the producer of things capable of performing actions that are purely physical. He makes this claim because these actions expressly and intentionally create things whose existence is their sole purpose.
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