K. Szalewska
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引用次数: 0

摘要

本文是对两个feuilleton作品集——Jak przejąć kontrolznad światem, nie wychodząc z domu (Dorota) Masłowska和Polska mistrzem Polski (Krzysztof Varga)的分析。文章中提出的分析的关键是内疚快乐和羞耻快乐的现象,这是将被引用的作者——在充分意识到这种文化选择的含义的情况下选择了feuilleton的主题——和他们的读者卷入“内疚”和“无辜”,“势利”和“诚实”之间的游戏的最密切联系起来的因素。这个游戏的基础是在描述和阅读主题之间保持距离(从而产生优越感),以及参与的乐趣之间摇摆。与罪恶感愉悦类相关的文本策略,包括与读者、讽刺和互文性相关的游戏,对两位创造者来说也是很常见的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
„Guilty pleasure” Doroty Masłowskiej i Krzysztofa Vargi — o grach komunikacyjnych (z) popkulturą
The article is an analysis of two collections of feuilleton — Jak przejąć kontrolę nad światem, nie wychodząc z domu by Dorota Masłowska and Polska mistrzem Polski by Krzysztof Varga. The key to the analyses presented in the article is the phenomenon of guilty pleasure and shameful pleasure, which is the element that most closely connects the cited authors — choosing the subject of the feuilleton with full awareness of the implications of this cultural choice — and their readers drawn into the game between ‘guilt’ and ‘innocence’, ‘snobbery’ and ‘honesty’. This game is based on oscillating between maintaining a distance (and thus a sense of superiority) towards the subject of description and the subject of reading, and the pleasure of participation. Text strategies related to the guilty pleasure category, involving games with the reader, irony and intertextuality, also remain common to both creators.
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