SONGKET MELAYU: SERUMPUN BANGSA SESANTUN BUDAYA

History has shown that the “songket” is in a class of its own in the socio-culture of Malays in the Malay Archipelago. Fundamentally, “songket” and its wearing have been the symbol of acceptance and the collective instillation of cultural values. The textile was created based on cross- and multi-cultural elements that have long been established and further assimilated into society today. Therefore, this study aims to trace the beginnings and roles of the royal institutions in spreading this heritage art between Malaysia and Indonesia, specifically for “songket” Terengganu and Riau. The research focuses on the similarities based on acculturation and assimilation of culture. This study is critical as a form of knowledge documentation for both countries, which share similar connections and homogenous values. The research employs the qualitative approach, with a focus on observation and conducting interviews. A secondary study is also conducted to analyse the historical and socio-cultural aspects involved. Interview subjects from both countries were chosen based on specific fields and locations. Each finding leads and adds to the existing body of knowledge. Since issues on the Malay World usually take on a broader outlook, the implications of the study can contribute to the ethnic group itself, especially the scholars, weavers, cultural activists, art historians and the community at large. Based on the quality and uniqueness of the “songket”, there is no doubt that the textile should be acknowledged as one of the greatest heritage art, saturated with civil values and symbols of the finesse of the Malays.