{"title":"巴厘舞蹈的姿势和动作","authors":"Minako Nakamura","doi":"10.1109/Culture.and.Computing.2017.37","DOIUrl":null,"url":null,"abstract":"This study analyzed the Balinese female dance motion from the viewpoint of a researcher in \"Culture and Computing\". I found that a dancer's inner power came out from inside as a movement, and that the tracking of multiple markers of Motion Capture described \"Kinesphere\", the sphere around the body whose periphery can easily be reached by a dancer's extended limbs without his or her weight shift.","PeriodicalId":244911,"journal":{"name":"2017 International Conference on Culture and Computing (Culture and Computing)","volume":"26 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2017-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Postures and Movements of Balinese Dance\",\"authors\":\"Minako Nakamura\",\"doi\":\"10.1109/Culture.and.Computing.2017.37\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This study analyzed the Balinese female dance motion from the viewpoint of a researcher in \\\"Culture and Computing\\\". I found that a dancer's inner power came out from inside as a movement, and that the tracking of multiple markers of Motion Capture described \\\"Kinesphere\\\", the sphere around the body whose periphery can easily be reached by a dancer's extended limbs without his or her weight shift.\",\"PeriodicalId\":244911,\"journal\":{\"name\":\"2017 International Conference on Culture and Computing (Culture and Computing)\",\"volume\":\"26 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"2017 International Conference on Culture and Computing (Culture and Computing)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1109/Culture.and.Computing.2017.37\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"2017 International Conference on Culture and Computing (Culture and Computing)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/Culture.and.Computing.2017.37","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This study analyzed the Balinese female dance motion from the viewpoint of a researcher in "Culture and Computing". I found that a dancer's inner power came out from inside as a movement, and that the tracking of multiple markers of Motion Capture described "Kinesphere", the sphere around the body whose periphery can easily be reached by a dancer's extended limbs without his or her weight shift.