中国流行音乐(C-Pop)产业发展规划与韩国流行音乐的比较分析

Zhanqiang Zhou, Woowon Jeong
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引用次数: 0

摘要

本研究通过分析K-Pop对中国流行音乐的影响,考虑K-Pop的发展历程和现状,并提出发展中国流行音乐产业的方案。研究对象是20世纪90年代末至今的K-Pop和C-Pop产业;采用文献法、个案分析法等方法进行有效分析。通过SWOT分析,得出中国流行音乐产业的发展规划如下:首先要实施利用抖音等互联网新媒体的营销策略,建立“明星式”的新歌手培养体系,利用线上线下“O2O”消费渠道相结合的服务模式。因此,新一代歌手应该以超越老一代歌手的策略,通过形成自己的粉丝文化,引领音乐的成功。本研究旨在为中国流行音乐产业的发展提供理论和实践上的启示,并提出中国流行音乐在衰退中的发展之道。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Research on the Development Plan of China's Pop Music(C-Pop) Industry through a Comparative Analysis with K-Pop
This study considers the development process and status of K-Pop that influenced C-Pop, and presents a plan to develop the Chinese pop music industry which is on a downturn by analyzing the impact of K-Pop on C-Pop. The research subject is the K-Pop and C-Pop industries from the late 1990s to the present; , literature review and individual case analysis methods were adopted for effective analysis. The following plans for the development of the Chinese pop music industry were derived through SWOT analysis. Primarily, marketing strategies using Internet new media such as TikTok should be implemented, a “star-type” new singer training system should be established, and a service model that combines “O2O” online and offline consumption channels should be utilized. Subsequently, new singers should lead musical success through the formation of their own fandom culture with a strategy that goes beyond the existing older generation singers. The study aims to contribute theoretically and practically to the development of Chinese pop music by deriving implications for the Chinese pop music industry and presenting ways to develop Chinese pop music in a slump.
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