“try it elsewhere [...]” – Konrad Hagius and Musician’s Mobility in Early Modern Times in Light of Local and Regional Profile

Music history and musical action is situated in geographic spaces and it seems superluous to point out that also any kind of migration of musicians depends on space. Thus, mobility and migration put the idea of strict delineation of geographical spaces into perspective and even question them, as the phenomenon of immigration and migration of musicians could be found whenever and wherever, e.g. also in case of a narrow geographic limitation of local and regional research.1 Migration is considered as a form of spatial mobility which does not represent an individual but a collective phenomenon. In the past, particularly migration movements which were either based on political-ideological reasons or which concerned large numbers of people were of interest. The former includes exile research as well as remigration research,2 also the