格里德的艺术史话语中的符号理论

Making “Meaning”: Precolumbian Archaeology, Art History, and the Legacy of Terence Grieder Pub Date : 1900-01-01 DOI:10.52713/cyid6505

Rex Koontz

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摘要

1975年发表的一篇理论论文《古代符号的解释》(The Interpretation of Ancient Symbols)是研究特伦斯·格里德(Terence Grieder)在那个时期的理论和方法论兴趣，以及这些兴趣如何影响了他后来的作品的起点。格里德对分期的兴趣似乎压倒了其他理论和方法论的兴趣，这可能是他后来在Chavín de Huantar遗址的最高点之前和之后对Chavín风格问题的许多工作的基础。

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Grieder’s Theory of Symbols in the Discourse of Art History

A theoretical essay from 1975, “The Interpretation of Ancient Symbols,” is the starting point for an investigation of Terence Grieder’s theoretical and methodological interests around that time and how they may have shaped his later work. Grieder’s interest in periodization seems to override other theoretical and methodological interests and may be the foundation for much of his later work on the problems of Chavín style both before and after the apogee of the site of Chavín de Huantar.

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Making “Meaning”: Precolumbian Archaeology, Art History, and the Legacy of Terence Grieder

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