Марианна Тигранян, Л. С. Саргсян
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摘要

现在的作品是献给Artsakh horovel的;它旨在涵盖该地区音乐语言思维的特点。农业歌曲是亚美尼亚最古老的民间音乐之一。我们的研究基于Komitas Vardapet、Robert Atayan和Matevos Muradyan的笔记,那里的Varanda地区(今天的Martuni地区)占主导地位。早在基督教诞生之初,Artsakh是亚美尼亚世界最重要的中心之一,拥有非常独特的方言,古老的民间传说和传统的组成。也许这就是为什么Komitas Vardapet特别用心地写了Artsakh的horovel(20个记录的horovel中有10个来自Artsakh)。根据我们的比较分析工作,我们得出结论,该地区几乎所有的horovels都有旋律-语法的原始公式表达,其中绝大多数是在第三纪基础上的弗里吉亚音阶系统中发展起来的。1957年由R. Atayan在Artsakh进行的考察,在此期间记录了一份报告,这是本文首次发表:(我们的译法)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Земледельческие песни Арцаха
The present work is dedicated to the Artsakh horovels; it aims to cover the peculiarities of the musical linguistic thinking of that region. Agricultural songs are one of the oldest layers of Armenian folk music. Our study is based on the notes of Komitas Vardapet, Robert Atayan and Matevos Muradyan, where Varanda region (present-day Martuni region) dominates. Back in the dawn of Christianity, Artsakh was one of the most important centers of the Armenian world, with its very unique dialect, ancient folklore and traditional composition. Probably this is the reason why Komitas Vardapet wrote the Artsakh horovels with special attention (10 out of 20 recorded horovels are from Artsakh). As a result of our comparative analytical work, we have come to the conclusion that almost all the horovels in that region have melodic-grammatical original formulaic expressions, the vast majority of them develop in the Tertiary-based Phrygian scale system. The expedition conducted by R. Atayan in Artsakh in 1957, during which a horovel was recrded, is getting published for the first time in the present article: (The decipherment is ours).
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