三个男人关于尊严革命的小说:广场的诗学与神话

R. Kozlov
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引用次数: 0

摘要

本文考察了2015年出版的三部关于尊严革命的男性小说:安德烈·科科丘卡的《火热的冬天》、基里尔·哈鲁什科的《独立广场学期》和弗拉季斯拉夫·伊夫琴科的《2014》。在关于这个主题的其他作品中,它们已经部分地被评论家和学者所描述。本文关注的是广场广场的神话化地理形象,它是隐喻意义的来源,最终在混沌/和谐/秩序和自己/陌生人的原型中显现出来。本研究是乌克兰小说中关于亲欧盟运动的集体记忆形成策略研究的一个阶段,并以会议报告的形式进行了部分测试。通过结合诺斯罗普·弗莱对神话的艺术理解的概念和埃琳娜·邦达列娃对神话的艺术创作的各个方面,得出了关键的结果,这使得有可能确定三个情节的关键研究的主要领域地理图像。广场主题在情节结构中的位置被追踪,特别是它的第一次出现。作者依赖于读者心中存在的积极神话,根据人物对“尊严革命”事件的态度发展其语义。二元对立的潜力在这里被追踪。作者认为,大量和多样的人物使作者能够发展独立广场神话的隐喻语义(V. Ivchenko),而有限的人物系统(a . Kokotyukha)保留了独立广场主题的语义潜力,将其减少为已经形成的家庭的再传播。K. Halushko采取了不同的方法,允许他的角色因为参与革命事件而改变他的观点。进一步的分析表明,独立广场主题的未发展的隐喻不允许a . Kokotyukha参与适当的原型来深化整个作品的语义。相反,其他两位作者,尽管他们构建情节的方式不同,但都取得了成功。因此,对尊严革命主题的进一步艺术理解和相关艺术策略的潜力作出了假设。提议的方法需要在更多的作品上进行进一步的测试。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THREE MEN'S NOVELS ABOUT THE REVOLUTION OF DIGNITY: POETICS AND MYTHOLOGY OF THE MAIDAN
The article examines three novels about the Revolution of Dignity, written by men and published in 2015: “Fiery Winter” by Andriy Kokotyukha, “Maidan Semester” by Kyryl Halushko, “2014” by Vladyslav Ivchenko. Among other works on this subject, they are already partially characterized by critics and scholars. This article focuses on the mythologized geo-image of the Maidan, which is a source of metaphorical meanings and ultimately reveals itself in the archetypes of Chaos / Harmony / Order and Own / Stranger. This study is one of the stages in the study of the strategy of forming collective memory in Ukrainian novels about Euromaidan and was partially tested in the form of a report at the conference. The key results were achieved through a combination of the concept of artistic understanding of the myth by Northrop Fry and aspects of artistic myth-making by Elena Bondareva, which made it possible to identify the main areas of study of the key for all three plots geo-image. The place of the Maidan topos in the structure of the plots is traced, in particular its first appearance. It is concluded that the authors rely on the positive mythology present in the mind of the reader, developing its semantics in accordance with the attitude of the characters to the events of the Revolution of Dignity. The potential of binary oppositions is traced in this. It is established that a larger number and variety of characters allow the author to develop the metaphorical semantics of the Maidan mythology (V. Ivchenko), while the limited system of characters (A. Kokotyukha) preserves the semantic potential of the Maidan topos, reduces it to retransmission of already formed families. K. Halushko takes a different approach, allowing his character to change his views as a result of participating in revolutionary events. Further analysis showed that the undeveloped metaphorization of the Maidan topos does not allow A. Kokotyukha to engage in appropriate archetypes to deepen the semantics of the work as a whole. Instead, the other two authors, despite their different ways of constructing the plot, succeeded. As a result, an assumption was made about the further artistic understanding of the theme of the Revolution of Dignity and the potential of the relevant artistic strategies. The proposed approach requires further testing on a larger array of works.
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