斯罗科夫斯基作品的自然主义特征(论小说《两块砖》的素材)

A. Kolesnyk
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摘要

本文对乌克兰作家斯罗科夫斯基的中篇小说《两块砖头》的内容和形式进行了文学分析。博物学家在其作品中使用的主要文学技巧和工具,以及它们对当代事件的清晰呈现和信息传递准确性的影响。确定了乌克兰和欧洲文学中自然主义风格存在的时间。在《两块砖》的故事中,作者分析了乌克兰普通农民生活中一件可怕而令人印象深刻的事件的形象——一个人的姐夫为了从他那里偷来的两块砖而被谋杀。这决定了作者使用自然主义的形象手段,这给了作者根据现实生活再现所描绘的画面的机会。它们是:1)描写人物在人的生理状态和环境的影响下的生活;2)以文件形式再现事件,以文件(协议)形式传递信息;3)客观性,即在回避作者存在的情况下描绘现实;4)对所描绘事件的摄影般的精准,作者对所发生事件的最小细节的关注;5)按生活真实再现事件,并在此基础上产生事理学,但同时不加解释地记录这些事件,深入到所发生事件的本质(作者没有说明主人公姐夫被杀的原因,只叙述了这一事件)。分析结果表明,乌克兰作家斯罗科夫斯基是一位遵循左拉在19世纪下半叶倡导的自然主义风格要求的艺术家。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
NATURALISTIC FEATURES IN THE WORKS OF KOSTYANTYN SROKOVSKY (ON THE MATERIAL OF THE NOVEL "TWO BRICKS")
In the article, a literary analysis of the content and form of the novella "Two Bricks" by the Ukrainian writer Kostyantyn Srokovsky was carried out. The main literary techniques and tools used by naturalists in their works and their influence on the clear presentation and accuracy of information transmission about contemporary events are considered. The duration of the existence of the naturalism style in Ukrainian and European literature is determined. In the story "Two Bricks" is analyzed the writer’s image of the picture of a terrible and impressive incident from the life of ordinary Ukrainian peasants – the murder of a man's brother-in-law for two bricks that he stole from him. It was determined the writer's use of naturalistic means of image, which gave the author the opportunity to reproduce the depicted picture in accordance with real life. They are: 1) depicting the life of the characters under the influence of the physiological state of a person, as well as under the influence of environment; 2) documentary reproduction of the event, transmission of information as in a document (protocol); 3) the objectivity, or depicting reality while avoiding the author's presence; 4) photographic accuracy of the depicted events, the writer's attention to the smallest details of what happened; 5) truthful reproduction of events according to life and the emergence of factography on this basis, but at the same time recording these events without their explanation and penetrating into the essence of the happened events (the writer does not explain the reasons for the murder of the hero’s brother-in-law, but only states this event). As a result of the analysis, it is proposed to consider the Ukrainian writer Kostyantyn Srokovsky as an artist who followed the requirements of the naturalism style initiated by E. Zola in the second half of the 19th century.
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