种族的材料

Laura Leibman
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引用次数: 0

摘要

当洛佩兹一家在费城苦苦挣扎时,莎拉·布兰登(Sarah Brandon)前往东部的伦敦,就读一所高端西班牙系学校。伦敦向萨拉展示了一个充满机会和人脉的新世界。和费城一样,伦敦的许多西班牙裔社区成员都与巴巴多斯有联系,因此她作为奴隶的过去是无法隐藏的。然而,通过友谊、贸易关系和金钱,莎拉·布兰登让过去变得毫无意义。她最珍贵的传家宝是她构建的新自我的一部分:一幅用水彩画成的象牙微缩的她自己,穿着白色的帝国腰裙,美丽而睁大眼睛,她的头发扎了一个希腊结。这幅画像是送给她将要嫁给的男人约书亚·摩西(joshua Moses)的一份亲密礼物,他是一位来自费城和纽约的英俊、人脉广泛的犹太人。象牙是爱情的象征,但萨拉和约书亚的婚姻也将两个主要的商人家族联合起来,并再次改变萨拉的未来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Material of Race
While the Lopez family struggled in Philadelphia, Sarah Brandon went east to London to attend a high-end Sephardic school. London presented Sarah with a new world of opportunities and connections. As in Philadelphia, many members of London’s Sephardic community had connections with Barbados, hence there was no hiding her past as a slave. Yet through friendship, trade ties, and money, Sarah Brandon made that past moot. Her most precious heirloom was part of the new self she constructed: an ivory miniature of herself painted in watercolor, beautiful and wide-eyed in a white empire-waist dress, her hair lifted in a Grecian knot. The portrait was an intimate gift to the man she would marry—Joshua Moses, a handsome and well-connected Jew from Philadelphia and New York. Ivories were a love token, but Sarah and Joshua’s marriage would also unite two major merchant families and change Sarah’s future, again.
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