{"title":"种族的材料","authors":"Laura Leibman","doi":"10.1093/oso/9780197530474.003.0006","DOIUrl":null,"url":null,"abstract":"While the Lopez family struggled in Philadelphia, Sarah Brandon went east to London to attend a high-end Sephardic school. London presented Sarah with a new world of opportunities and connections. As in Philadelphia, many members of London’s Sephardic community had connections with Barbados, hence there was no hiding her past as a slave. Yet through friendship, trade ties, and money, Sarah Brandon made that past moot. Her most precious heirloom was part of the new self she constructed: an ivory miniature of herself painted in watercolor, beautiful and wide-eyed in a white empire-waist dress, her hair lifted in a Grecian knot. The portrait was an intimate gift to the man she would marry—Joshua Moses, a handsome and well-connected Jew from Philadelphia and New York. Ivories were a love token, but Sarah and Joshua’s marriage would also unite two major merchant families and change Sarah’s future, again.","PeriodicalId":410964,"journal":{"name":"Once We Were Slaves","volume":"44 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Material of Race\",\"authors\":\"Laura Leibman\",\"doi\":\"10.1093/oso/9780197530474.003.0006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"While the Lopez family struggled in Philadelphia, Sarah Brandon went east to London to attend a high-end Sephardic school. London presented Sarah with a new world of opportunities and connections. As in Philadelphia, many members of London’s Sephardic community had connections with Barbados, hence there was no hiding her past as a slave. Yet through friendship, trade ties, and money, Sarah Brandon made that past moot. Her most precious heirloom was part of the new self she constructed: an ivory miniature of herself painted in watercolor, beautiful and wide-eyed in a white empire-waist dress, her hair lifted in a Grecian knot. The portrait was an intimate gift to the man she would marry—Joshua Moses, a handsome and well-connected Jew from Philadelphia and New York. Ivories were a love token, but Sarah and Joshua’s marriage would also unite two major merchant families and change Sarah’s future, again.\",\"PeriodicalId\":410964,\"journal\":{\"name\":\"Once We Were Slaves\",\"volume\":\"44 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Once We Were Slaves\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oso/9780197530474.003.0006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Once We Were Slaves","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780197530474.003.0006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
While the Lopez family struggled in Philadelphia, Sarah Brandon went east to London to attend a high-end Sephardic school. London presented Sarah with a new world of opportunities and connections. As in Philadelphia, many members of London’s Sephardic community had connections with Barbados, hence there was no hiding her past as a slave. Yet through friendship, trade ties, and money, Sarah Brandon made that past moot. Her most precious heirloom was part of the new self she constructed: an ivory miniature of herself painted in watercolor, beautiful and wide-eyed in a white empire-waist dress, her hair lifted in a Grecian knot. The portrait was an intimate gift to the man she would marry—Joshua Moses, a handsome and well-connected Jew from Philadelphia and New York. Ivories were a love token, but Sarah and Joshua’s marriage would also unite two major merchant families and change Sarah’s future, again.