评估自然和情绪强度:动画面部运动的知觉研究

Jennifer Hyde, E. Carter, S. Kiesler, J. Hodgins
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引用次数: 18

摘要

动画人物出现在娱乐、教育和治疗的应用程序中。当这些角色根据情境表现出适当的情感时,它们就会特别有效。角色可以通过准确地模仿人们的面部表情和声音线索,或通过淡化或夸大表情的情感来表现情感。在这项工作中,我们探索了哪种策略对动画角色最有效。我们研究了改变听觉和面部表达水平对情绪识别准确性和感知情绪强度和自然度评级的影响。我们进行了一项实验,将情绪(愤怒、快乐、悲伤)、听觉情绪水平(低、高)和面部运动幅度(抑制、不变、夸张)作为受试者内部因素。参与者评估一个角色的动画,该角色的面部动作与我们使用活动外观模型跟踪的女演员的面部动作相匹配。这种跟踪和动画的方法可以实时捕捉细微的面部动作,这是许多交互式动画角色的必要条件。我们通过要求女演员说不同层次的句子来操纵听觉情感水平,我们通过夸大和抑制女演员的空间运动来操纵面部运动的幅度。我们发现,听觉表达程度与情绪识别准确率和情绪强度评分呈正相关。面部运动的大小与情绪强度评级正相关,而与自然程度评级负相关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Assessing naturalness and emotional intensity: a perceptual study of animated facial motion
Animated characters appear in applications for entertainment, education, and therapy. When these characters display appropriate emotions for their context, they can be particularly effective. Characters can display emotions by accurately mimicking the facial expressions and vocal cues that people display or by damping or exaggerating the emotionality of the expressions. In this work, we explored which of these strategies would be most effective for animated characters. We investigated the effects of altering the auditory and facial levels of expressiveness on emotion recognition accuracy and ratings of perceived emotional intensity and naturalness. We ran an experiment with emotion (angry, happy, sad), auditory emotion level (low, high), and facial motion magnitude (damped, unaltered, exaggerated) as within-subjects factors. Participants evaluated animations of a character whose facial motion matched that of an actress we tracked using an active appearance model. This method of tracking and animation can capture subtle facial motions in real-time, a necessity for many interactive animated characters. We manipulated auditory emotion level by asking the actress to speak sentences at varying levels, and we manipulated facial motion magnitude by exaggerating and damping the actress's spatial motion. We found that the magnitude of auditory expressiveness was positively related to emotion recognition accuracy and ratings of emotional intensity. The magnitude of facial motion was positively related to ratings of emotional intensity but negatively related to ratings of naturalness.
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