达芬奇手稿解剖图与笔记的科学分析

O. Hahn, Uwe Golle, Carsten Wintermann, Domenico Laurenza
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摘要

在本文中,我们讨论了以非侵入性方式科学调查文物的重要性。我们以保存在魏玛的达芬奇的《带解剖图和笔记的手稿》为例,阐明了这对开本年表的基本步骤。通过显微镜,红外反射,紫外摄影和x射线荧光分析,我们能够识别各种类型的素描材料和几种铁胆墨水。达芬奇使用了两种不同的素描工具,铅笔和石墨笔,以及几种墨水将这些草图绘制成图纸。关于墨水,重要的是要注意,达芬奇用来画画的墨水和他用来写字的墨水没有区别。根据分析的材料,我们建议创建这个独特的作品集的时间顺序。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Scientific Analysis of Leonardo’s Manuscript with Anatomic Drawings and Notes
In this paper, we discuss the importance of scientifically investigating cultural artefacts in a non-invasive way. Taking as test case Leonardo da Vinci’s Manuscript with anatomic drawings and notes, which is stored in Weimar, we clarify fundamental steps in the chronology of this folio. By means of microscopy, infrared reflectography, UV photography, and X-ray fluorescence analysis, we were able to identify various types of sketching material and several varieties of iron gall ink. For his sketches, Leonardo used two different sketching tools, a lead pencil and a graphite pencil, as well as several types of ink for developing these sketches into drawings. With regard to ink, it is important to observe that there is no difference between the ink Leonardo used for drawing and the ink he used for writing text. Based on the materials analysed, we suggest a chronology for the creation of this unique folio.
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