{"title":"你为什么又用回忆来折磨我?:在索洛格的创作探索背景下翻译魏尔伦的诗《永不再来》","authors":"Tatiana V. Misnikevich","doi":"10.31860/0131-6095-2022-3-156-162","DOIUrl":null,"url":null,"abstract":"The article examines the specifics of F. Sologub’s work on his translations of the poems by P. Verlaine in the 1890s, as well as the influence of his translation practices on his original work. Using the translation of the poem Nevermore (collection Poèmes Saturniens) taken for the case study, it is shown how Sologub, while staying more or less true to the rhythm, phonics, vocabulary and imagery of the original, introduces certain changes in line with his aesthetic preferences.","PeriodicalId":347003,"journal":{"name":"Russkaya Literatura","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"WHY ARE YOU TORMENTING ME WITH MEMORIES AGAIN?..: TRANSLATION OF P. VERLAINE’S POEM NEVERMORE IN THE CONTEXT OF F. SOLOGUB’S CREATIVE SEARCH\",\"authors\":\"Tatiana V. Misnikevich\",\"doi\":\"10.31860/0131-6095-2022-3-156-162\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article examines the specifics of F. Sologub’s work on his translations of the poems by P. Verlaine in the 1890s, as well as the influence of his translation practices on his original work. Using the translation of the poem Nevermore (collection Poèmes Saturniens) taken for the case study, it is shown how Sologub, while staying more or less true to the rhythm, phonics, vocabulary and imagery of the original, introduces certain changes in line with his aesthetic preferences.\",\"PeriodicalId\":347003,\"journal\":{\"name\":\"Russkaya Literatura\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Russkaya Literatura\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31860/0131-6095-2022-3-156-162\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Russkaya Literatura","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31860/0131-6095-2022-3-156-162","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
WHY ARE YOU TORMENTING ME WITH MEMORIES AGAIN?..: TRANSLATION OF P. VERLAINE’S POEM NEVERMORE IN THE CONTEXT OF F. SOLOGUB’S CREATIVE SEARCH
The article examines the specifics of F. Sologub’s work on his translations of the poems by P. Verlaine in the 1890s, as well as the influence of his translation practices on his original work. Using the translation of the poem Nevermore (collection Poèmes Saturniens) taken for the case study, it is shown how Sologub, while staying more or less true to the rhythm, phonics, vocabulary and imagery of the original, introduces certain changes in line with his aesthetic preferences.
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