冈本kanoko小说中的男人形象

St. Petersburg University Studies in Social Sciences & Humanities. Vol. 1: Proceedings of the 9th International Conference ISSUES OF FAR EASTERN LITERATURES Pub Date : 1900-01-01 DOI:10.21638/11701/9785288062049.45

Olga Khovanchuk, Tatiana Breslavets

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摘要

本文探讨了日本女作家冈本Kanoko小说中男性形象的独特性。通常，英雄爱人(受害者)并不具有不可缺少的生命力和天生的力量。他体弱多病或意志薄弱。他的脆弱和被动与女主角(吸血鬼)的力量和自信形成鲜明对比。恶魔主题在冈本Kanoko的故事中无处不在。另一方面，男人形象不是一个“情人”，而是一个“儿子”，这是她作品中所设定的崇拜。在某些情况下，女主角对男主角的态度导致了情爱冲突。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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THE MAN IMAGE IN OKAMOTO KANOKO’S FICTION

The paper is devoted to the peculiarities of the man image in Japanese woman writer Okamoto Kanoko’s fiction. As a rule, the hero-lover (victim) has not the indispensable vitality and innate power. He is sickly or weak-minded. His fragility and passivity are contrasted with heroine’s (vampire) strength and assertiveness. The demonic motif is ubiquitous in Okamoto Kanoko’s stories. In other side, the man image is not a “lover”, but a “son”, which cult was set in her works. In certain cases heroine’s attitude to a hero leads to the erotic conflict.

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St. Petersburg University Studies in Social Sciences & Humanities. Vol. 1: Proceedings of the 9th International Conference ISSUES OF FAR EASTERN LITERATURES

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