{"title":"我充满活力的声音故事:音频和写作中的小说批评片段","authors":"D. Azul","doi":"10.3316/CAR0202007","DOIUrl":null,"url":null,"abstract":"My Vibrant Voice Story is a fictocritical tissue of three audio and eight writing pieces that examines notions of 'voice', 'identity' and 'autobiography'. Its fragmented storyline circles the changing subject positions and voices of an 'I' who has been transgressing the boundaries of discrete gender and academic disciplines while producing an autobiography of voice. The paper combines self-narration and creative writing with a critical inquiry into medico-scientific normativity and deconstructive accounts of notions of 'subject', 'speaking', 'listening' and 'writing'. The traditional understanding of the human voice as an instrument that 'reveals essential clues about who we are' (Karpf, 2006) is destabilised, its ethical issues are disclosed and it is replaced with a notion of a 'plurivocality' that cannot be mastered (Derrida in McDonald, 1985).","PeriodicalId":177585,"journal":{"name":"Creative Approaches To Research","volume":"34 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"4","resultStr":"{\"title\":\"My Vibrant Voice Story: Fictocritical Fragments in Audio and Writing\",\"authors\":\"D. Azul\",\"doi\":\"10.3316/CAR0202007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"My Vibrant Voice Story is a fictocritical tissue of three audio and eight writing pieces that examines notions of 'voice', 'identity' and 'autobiography'. Its fragmented storyline circles the changing subject positions and voices of an 'I' who has been transgressing the boundaries of discrete gender and academic disciplines while producing an autobiography of voice. The paper combines self-narration and creative writing with a critical inquiry into medico-scientific normativity and deconstructive accounts of notions of 'subject', 'speaking', 'listening' and 'writing'. The traditional understanding of the human voice as an instrument that 'reveals essential clues about who we are' (Karpf, 2006) is destabilised, its ethical issues are disclosed and it is replaced with a notion of a 'plurivocality' that cannot be mastered (Derrida in McDonald, 1985).\",\"PeriodicalId\":177585,\"journal\":{\"name\":\"Creative Approaches To Research\",\"volume\":\"34 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"4\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Creative Approaches To Research\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3316/CAR0202007\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Creative Approaches To Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3316/CAR0202007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
My Vibrant Voice Story: Fictocritical Fragments in Audio and Writing
My Vibrant Voice Story is a fictocritical tissue of three audio and eight writing pieces that examines notions of 'voice', 'identity' and 'autobiography'. Its fragmented storyline circles the changing subject positions and voices of an 'I' who has been transgressing the boundaries of discrete gender and academic disciplines while producing an autobiography of voice. The paper combines self-narration and creative writing with a critical inquiry into medico-scientific normativity and deconstructive accounts of notions of 'subject', 'speaking', 'listening' and 'writing'. The traditional understanding of the human voice as an instrument that 'reveals essential clues about who we are' (Karpf, 2006) is destabilised, its ethical issues are disclosed and it is replaced with a notion of a 'plurivocality' that cannot be mastered (Derrida in McDonald, 1985).