青年对滥交影响的反应出现在电影《两条蓝线》中

Rafly Pratama, M. Suhadi, Rifky Anindiya Yusuf
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引用次数: 0

摘要

电影是一种大众传播媒介,对整个社会有很大的影响。电影也是一种信息的形式,由各种符号和符号组成,这些符号和符号形成了一个意义系统,因此每个人都可以根据个人的参考和掌握所传达的意义的能力来不同地解释它。Gina S. Noer的电影《Dua Lines Biru》以滥交中的少女怀孕为主题。对这一电影场景中冲突的解读成为研究观众或公众在观看电影《杜加里斯·比鲁》时的接受情况的背景。本研究的目的是分析青少年观众对电影《杜加里斯·比鲁》中滥交的影响的接受程度。本研究采用定性方法,结合斯图尔特·霍尔的编码与解码理论的分析方法,观察观众对作品意义的立场。理解电影《两条蓝线》中滥交的影响。本研究的结果是,观众主导的霸权地位,这意味着信息被传达,观众接受的意义或信息。但也有几个场景处于协商位置和对立位置,因为在某些场景中,举报人有自己的替代意义或所指。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Resepsi Remaja Terhadap Dampak Pergaulan Bebas Di Dalam Film Dua Garis Biru
The film is one of the mass communication media which has a big influence on society at large. a film is also a form of a message consisting of various symbols and signs that form a meaning system so that it can be interpreted by each person differently, depending on the person's reference and ability to grasp the meaning conveyed. The film Dua Lines Biru by Gina S. Noer takes the theme of teenage pregnancy in promiscuity. The interpretation of the conflict in this film scene becomes the background for the research to see the reception of the audience or the public in watching the film Dua Garis Biru. The purpose of this study was to analyze the reception of adolescent audiences on the impact of promiscuity in the film Dua Garis Biru. This research uses a qualitative method with an analytical approach to encoding and decoding theory from Stuart Hall, which observes the audience's position on the meaning of a work. An understanding of the impact of promiscuity in the film Two Blue Lines. The results of this study the audience dominates the Hemegony Position which means the message is conveyed and the audience accepts the meaning or message as it is. But several scenes are in the Negotiated Position and Oppositional Position because the informant has its own alternative meaning or reference in certain scenes.
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