从卡鲁西亚的视角看莫里森《宠儿》中创伤的表现

Fatima Ghafoor, M. A. U. Rehman, Muhammad Ilyas Senior
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引用次数: 0

摘要

这项研究分析了美国黑人作家托尼·莫里森(Toni Morrison)在《宠儿》(1987)中作为一个过程的创伤,它遵循凯茜·卡鲁斯(Cathy Caruth, 1996)的创伤理论,该理论指出“一个看起来非常像身体威胁的冲击,实际上是心灵对时间体验的中断”(卡鲁斯,1996:61)。在文学中,创伤可以作为一个过程来使用,并且经常以人们无法完全理解的方式与痛苦联系在一起。本研究遵循了文本分析的一种类型,即Bernard Berelson(1952)在传播研究中引入的内容定性方法,该方法表明“内容分析是对传播的明确内容进行客观、系统和定量描述的研究技术”。它还分析了受害者角色对他们遇到的可怕事件的反应。由于受到奴役和谋杀自己女儿的创伤,塞丝遭受了最明显的分裂。它在叙事中的事件和读者的想象之间架起一座桥梁,让读者了解意识改变状态下受害者的心理。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Representation of Traumatization In Morrison's Beloved from A Caruthian Perspective
The study analyzes traumatization as a process in Beloved (1987), written by an Afro-American writer, Toni Morrison,following Cathy Caruth’s (1996) trauma theory, which states that "a shock that appears to work very much like a bodily threat is, in fact, a break in the mind's experience of time" (Caruth 1996: 61). Traumatization can be used as a process in literature and is frequently and intricately linked to pain in ways one does not fully comprehend. This research study follows one of the types of textual analysis, i.e., the Content Qualitative Method introduced by Bernard Berelson (1952) in communication research, which demonstrates that ‘content analysis is a research technique for the objective, systematic, and quantitative description of clear content of the communication. It also analyzes the reactions of the victimized characters to the horrific incidents they encountered. As a result of being traumatized by slavery and murdering her own daughter, Sethe suffers the most visible split. It builds a bridge between the events in the narrative and the readers' imaginations to get to know the psychology of victims in an altered state of consciousness.
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