过滤泡沫。艺术与数字世界

Francesca Perotto
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引用次数: 0

摘要

我们的经验以技术行动者的持续存在为特征,而且往往是难以察觉的,这些行动者通过其操作机制,极大地影响了我们生活其中的世界的建设过程——包括物质世界和想象世界——从而也影响了我们自己。在过去的十年里,基于互联网的媒体引入了一种更高级的调解,由剖析活动和过滤气泡的构建构成,其力量在线下回响。我们正在经历的大流行病传染的背景大大扩大了这些行为者的空间,它们的过滤机制往往既普遍又不透明。要克服这一问题,艺术实践和美学可以发挥根本作用。在这篇文章中,我们的目标是看看如何,感谢一些意大利艺术家的作品,他们通过反思信息社会的审美方面来建立自己的职业生涯。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Filter Bubbles. Art and digital worlds
Our experience is marked by the constant, and often imperceptible, presence of technological actors that, with their operational mechanisms, greatly influence the processes of construction of the worlds – both physical and imaginary – in which we live and, consequently, of ourselves. In the last decade, internet-based media have introduced a further level of mediation, constituted by the activity of profiling and the construction of filter bubbles, whose power reverberates offline. The context of the pandemic contagion we are experiencing has drastically expanded the space for these actors, whose filtering mechanisms are often as pervasive as they are opaque. To overcome this problem, artistic practices and aesthetics can play a fundamental role. In this text we aim to see how, thanks to the works of some Italian artists who have built their careers by reflecting on the aesthetic aspects of the information society. 
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