斯洛伐克与俄罗斯在戏剧和戏剧领域的关系。20世纪上半叶

A. Peskova
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引用次数: 0

摘要

本文追溯了斯洛伐克与俄罗斯在戏剧和戏剧领域的关系史,从19世纪下半叶它们出现的那一刻开始,并特别关注了20世纪20年代至30年代(第二次世界大战开始前)。俄罗斯剧作家(首先是果戈理、契诃夫和高尔基)的影响在j·g·塔约夫斯基、t·万索娃和v·h·v(弗拉基米尔·胡尔班·弗拉基米洛夫)的戏剧作品中清晰可见。1920年斯洛伐克国家剧院开业后,演员兼导演J. borodasi(斯坦尼斯拉夫斯基和俄罗斯戏剧体系的忠实崇拜者)的到来,越来越多的俄罗斯和苏联戏剧出现在这个和其他斯洛伐克剧院的保留剧目中。莫斯科艺术戏剧学派的影响开始体现在波罗达涅的导演风格上,而当时另一位著名的斯洛伐克导演j·贾姆尼基(J. Jamnicky)显然受到了俄罗斯先锋派的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Slovak-Russian Relations in the Field of Drama And Theater. The First Half of the 20th Century
The article traces the history of Slovak-Russian relations in the field of drama and theater, starting from the moment of their emergence in the second half of the XIX century, and pays special attention to the period of the 1900s–30s (before the beginning of the Second World War). The influence of Russian playwrights (first of all, N. Gogol, A. Chekhov and M. Gorky) is clearly visible in the dramatic works of J. G. Tajovsky, T. Vansova and V. H. V. (Vladimir Hurban Vladimirov). After the opening of the Slovak National Theater in 1920 and the arrival of the actor and director J. Borodač, a big admirer of the Stanislavsky and Russian theater system, more and more Russian and Soviet plays appear in the repertoire of this and other Slovak theaters. The influence of the Moscow Art Theater school began to manifest itself in the director's manner of Borodač, while another prominent Slovak director of that time, J. Jamnicky, was clearly influenced by the Russian avant-garde.
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