Eszter Baldavári
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引用次数: 1

摘要

东方艺术在19世纪和20世纪初的建筑中扮演着重要的角色。当西欧的新艺术运动受到日本和波斯艺术的影响时,匈牙利努力寻找匈牙利建筑的起源。本研究介绍了建筑师Károly Róbert kert sz的亚洲之旅,发表在他的作品《锡兰的建筑》中。在20世纪30年代,建筑师István Medgyaszay被邀请到印度孟买设计一座博物馆。他的档案,包括旅行中产生的计划,照片和信件,可以在Medgyaszay纪念馆找到。在重建Medgyaszay的印度之旅(2021年)期间,在他的设计中发现了一些神秘的水彩计划。此外,作为在孟买(2020)的研究结果,本研究介绍了István Medgyaszay与印度第一位职业女性建筑师Perin Jamshedji Mistri的友谊;并强调了jenzoolnoky地理学家在上述两位建筑师的工作中的作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Magyar építészek Dél-Ázsiában és közvetítőszerepük a magyar építészetben
The role of oriental art was significant in architecture at the turn of the 19th and 20th century. While the Art Nouveau movement in Western Europe was influenced by the Japanese and Persian art, Hungary made efforts to find the origin of the Hungarian architecture. This study presents the Asian trip of architect Károly Róbert Kertész, published in his work entitled Architecture of Ceylon. In the 1930’s architect István Medgyaszay was invited to India to design a museum in Mumbai. His archive, containing the plans, photographs and letters born during the trip, can be found in the Medgyaszay Memorial House. During the reconstruction of Medgyaszay’s Indian trip (2021) some mysterious watercolour plans were discovered among his designs. Additionally, as a result of the research in Mumbai (2020) this study introduces István Medgyaszay’s friendship with Perin Jamshedji Mistri, the first professional woman architect in India; and highlights the role of Jenő Cholnoky geographer in the work of both of the aforementioned architects.
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