消解男性决定论:苏珊-洛里·帕克斯《维纳斯》中的后现代挑战

Usa Padgate
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引用次数: 0

摘要

由苏珊-洛里·帕克斯(Suzan-Lori Parks)撰写的戏剧《维纳斯》(Venus)采用了非传统的戏剧手法,重新讲述了19世纪一个变态秀景点的历史。本研究探讨了《维纳斯》中对性别偏见和性操纵的批判是如何以后现代的方式被探索和预测的。通过对传统形式和语言的颠覆,事实与虚构的混合,低级和高级通用和语言表现的模仿,边缘化声音的解放,以及对女性服从于男性秩序的哲学前提的修正,这部剧质疑社会制度和传统中固有的男性决定性,并邀请人们有意识地重新考虑默认的意义和真理。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Unmaking Masculine Determinacy: A Postmodern Challenge in Suzan-Lori Parks’ Venus
Venus, a play written by Suzan-Lori Parks, employs unconventional theatrical approaches in retelling the history of a 19th-century freak show attraction. This study examines how the critique of gender bias and sexual manipulations in Venus is explored and projected in ways that can be described as postmodern. Through the subversion of conventional forms and language, the blending of fact and fiction, the pastiches of both low and high generic and linguistic presentations, the liberating of a marginalized voice, and the revision of the philosophical premises that subordinate the female to the male order, the play questions the masculine determinacy inherent in social institutions and traditions and invites a conscious reconsideration of default meaning and truth.
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