生活中的城市——书写叙事:对哈迪亚·侯赛因的《超越爱》(2003)和拉德瓦·阿舒尔的《坦图里亚》(2010)的地缘批判解读

Marwa Alkhayat
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摘要

本文调查了在过去几十年中获得了杰出学术关注的文学的地形方面,承认了社会科学和人文科学的“空间转向”。我的研究支持对地点的“多感官”方法,其时空方案涉及后殖民身份、流亡和地理位移,以有力地论证地方主观经验的作用,从而增强对殖民/后殖民历史的文本地理阅读。目前的地理批判阅读考察了哈迪亚·侯赛因的《超越爱》和拉德瓦·阿舒尔的《阿尔-坦图里亚》中的“空间重申”,希望能在生活写作叙事范式下对空间文学研究的不断增长的工作做出关键贡献,以询问后殖民地区的“位置”。因此,地理空间叙事是刻画空间实践与生活写作叙事之间相互作用的关键修辞,将两位阿拉伯女作家描绘为后殖民制图师。之所以选择这两种叙述,是因为它们与探索生活写作的后殖民地理批评有关,为受伤的国家提供了一种蒙太奇式的自我,并模糊了回忆录作者的个人故事与后殖民动荡历史之间的界限。在这一理论基础上,本文将空间话语视为一种地理断裂,它代表了后殖民批评的核心。这种后民族比较文学质疑多民族地区以及散居者,以描绘说话的下层社会的后殖民地形。情感的文学映射为诗意的主题提供了深刻的启示,通过感官体验城市,激发空间越界,记录个人感受。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Cities in Life-Writing Narratives: A Geocritical Reading of Hadiya Hussein's Beyond Love (2003) and Radwa Ashur's Al-Tantouria (2010)
The present paper investigates the topographical aspects of literature that have gained an outstanding academic attention within the last decades acknowledging the "spatial turn" in social sciences and humanities. My study espouses a "polysensuous" approach to places and the spatialtemporal scheme addresses postcolonial identities, exile and geographic displacement to argue forcefully the role of the subjective experience of places so as to enhance a textual geographic reading of colonial/postcolonial histories. The present geocritical reading examines the "reassertion of space" in Hadiya Hussein's Beyond Love and Radwa Ashur's Al-Tantouria to present, hopefully, a key contribution to the growing body of work in spatial literary studies within the paradigm of life-writing narratives to interrogate the "where" of postcolonial terrains. As such, a geospatial story-telling is a key trope to feature the interest in the interaction between spatial practices and life-writing narratives that depict the two Arab women writers as postcolonial cartographers. The two narratives have been selected since they are relevant to explore life-writing postcolonial geographic critiques to offer a montage of the Self within wounded nations and to blur the borderline between memoirists' personal stories and postcolonial turbulent histories. Within this rationale, the present paper interrogates the spatial discourse as a geographic rupture which represents the core of postcolonial critiques. This post-national comparative literature questions multiethnic zones as well as diasporas to map the postcolonial terrain of the speaking subaltern. The affective literary mapping offers an insightful illumination of poetic topos to experience cities through senses, to inspire spatial transgression and to record personal sensations.
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