英国和日本儿童的人物画:年龄、性别和文化的影响

M. Cox, M. Koyasu, Hiromasa Hiranuma, Julian Perara
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引用次数: 58

摘要

参与者是120名英国儿童和120名日本儿童。有两个年龄组(7岁和11岁),每个年龄组的男孩和女孩人数相等。每个孩子都画了三个人物:一个人站着面向观众,一个人向右跑,一个人向观众跑。年龄较大的孩子比年龄较小的孩子的身材得到了更高的评价,这支持了之前的研究结果。女孩的形象比男孩的形象得到了更高的评价,这与之前认为男孩在画真人形象时更灵活的说法相矛盾。日本儿童形象比英国儿童形象获得了更高的评分,这表明日本儿童受到学校美术课程中更多接触图形图像以及漫画广泛流行的影响。关于日本男孩会对他们的人物形象做出最大的改编的预测(因为针对男孩的漫画包含更多的动作人物)没有得到支持。除了获得更高的评分外,年龄较大的孩子也比年龄较小的孩子用更复杂的方式构建他们的数字。女孩和日本孩子画的人物与男孩或英国孩子画的人物没有什么不同;他们较高的评分是由于他们在建造过程中更为熟练。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Children's human figure drawings in the UK and Japan: The effects of age, sex and culture
The participants were 120 UK and 120 Japanese children. There were two age groups (7-year-olds and 11-year-olds) with equal numbers of boys and girls in each. Each child drew three figures: a man standing and facing the viewer, a man running towards the right, and a man running towards the viewer. The older children's figures were rated more highly than those of younger children, supporting previous research findings. Girls' figures received higher ratings than those of boys, contradicting previous claims that boys are more flexible in their drawings of figures in action. Japanese children's figures received higher ratings than those in the UK, suggesting that Japanese children are influenced by a greater exposure to graphic images in their school art curriculum and the widespread popularity of manga comics. The prediction that Japanese boys would make the greatest adaptations to their figures (since manga comics for boys contain more action figures) was not supported. As well as gaining higher ratings, the older children also constructed their figures in more complex ways than did the younger children. The figures drawn by girls and by the Japanese children were not constructed differently from those of boys or UK children; their higher ratings were attributed to their greater facility in the execution of their constructions.
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