{"title":"慢下来","authors":"Nathan A. Moore","doi":"10.21083/csieci.v14i2.6419","DOIUrl":null,"url":null,"abstract":"The paper relates my experience as an improvising musician responding to COVID. In particular, the practice of recording solo improvisations that are then sent to colleagues for them to overdub an improvised response (and vice versa).","PeriodicalId":277401,"journal":{"name":"Critical Studies in Improvisation / Études critiques en improvisation","volume":"116 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Slowing Down\",\"authors\":\"Nathan A. Moore\",\"doi\":\"10.21083/csieci.v14i2.6419\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The paper relates my experience as an improvising musician responding to COVID. In particular, the practice of recording solo improvisations that are then sent to colleagues for them to overdub an improvised response (and vice versa).\",\"PeriodicalId\":277401,\"journal\":{\"name\":\"Critical Studies in Improvisation / Études critiques en improvisation\",\"volume\":\"116 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Critical Studies in Improvisation / Études critiques en improvisation\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21083/csieci.v14i2.6419\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Studies in Improvisation / Études critiques en improvisation","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21083/csieci.v14i2.6419","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The paper relates my experience as an improvising musician responding to COVID. In particular, the practice of recording solo improvisations that are then sent to colleagues for them to overdub an improvised response (and vice versa).
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
