MPEG-7音频频谱基础作为小提琴声音的签名

Aleksander Kaminiarz, E. Lukasik
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引用次数: 5

摘要

本文的目的是研究MPEG-7音频频谱基础特征作为同一组乐器的签名的鲁棒性。分析的乐器是参加国际小提琴制作比赛的当代音乐会小提琴。它们是为了研究目的而录制的,因此每种乐器的声音集和录制条件是相同的——30秒长的音乐节选和一组单独的声音。音频频谱基础捕获了声音特征空间的统计上最规则的特征,因此它被期望很好地表征乐器。结果证实了预期。由于小提琴制作者遵循相同的理想乐器结构模型,并使用相似的材料进行创作,因此他们的声音差异很小,音频频谱基础使几种乐器的差异比其他乐器更大。然而,这些异常值是由评审团音乐家在比赛期间在排名的两个边界上放置的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
MPEG-7 Audio Spectrum Basis as a signature of violin sound
The goal of the paper is to examine how robust MPEG-7 Audio Spectrum Basis features are as signatures of instruments from the same group. Instruments analyzed are contemporary concert violins competing in the international violinmaker competition. They have been recorded for research purposes, thus the set of sounds for each instrument and recording conditions are the same - 30 s long musical excerpts and a set of individual sounds. Audio Spectrum Basis captures the statistically most regular features of the sound feature space thus it has been expected to well characterize instruments. The results confirmed the expectations. Since violinmakers follow the same ideal model of instrument construction and use similar material for their creation, differences of their sound are tiny, Audio Spectrum Basis enabled discrimination of several instruments as more dissimilar then the others. However these outliers have been placed by jury musicians during competition on both boundaries of the ranking.
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