六世纪至十二世纪罗马教会中的教皇和玛丽亚·里贾纳形象

E. Rubery
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引用次数: 0

摘要

罗马六至十二世纪玛丽安形象的一小部分描绘了玛丽穿着拜占庭皇后的宝石服装,而不是谦虚的处女。这些图像可能是由圣玛丽亚古物建筑群中玛丽穿着皇家服饰的壁画发展而来的,该建筑群位于靠近帕拉廷的地方,在六世纪被太监纳尔塞斯和他的军队占领。其中一些图像与圣母加冕的图像混淆了。大多数是由教皇任命的,他们最初遭受了挑战,但后来克服了挑战。这一章表明,这种肖像在这些教皇中很受欢迎,因为它引起了人们对教皇与拜占庭法院之间独特联系的关注,在拜占庭法院,教皇与皇帝就基督教教义的最终决定进行谈判。也许令人惊讶的是,考虑到这种图像可能是受东方的影响而发展起来的,没有玛丽这样穿着的图像在东方流传下来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Papacy and Maria Regina Imagery in Roman Churches between the Sixth and Twelfth Centuries
A small subgroup of sixth–twelfth century Marian images in Rome portray Mary in be-gemmed garments characteristic of a Byzantine empress rather than a modest virgin. Such images may have developed from a fresco of Mary in imperial regalia in the St Maria Antiqua complex, situated close to the Palatine and occupied by Narses the Eunuch and his army in the sixth century. Some of these images have been confused with Coronation of the Virgin iconography. Most were commissioned by popes who initially suffered, but subsequently overcame, challenges to their status. The chapter suggests this iconography became popular amongst these popes because it drew attention to unique papal links with the Byzantine Court, where the papacy negotiated with the emperor over final decisions on Christian Doctrine. Perhaps surprisingly, given this iconography probably developed via eastern influences no images of Mary dressed in this way survive in the East.
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