{"title":"六世纪至十二世纪罗马教会中的教皇和玛丽亚·里贾纳形象","authors":"E. Rubery","doi":"10.1093/oxfordhb/9780198792550.013.29","DOIUrl":null,"url":null,"abstract":"A small subgroup of sixth–twelfth century Marian images in Rome portray Mary in be-gemmed garments characteristic of a Byzantine empress rather than a modest virgin. Such images may have developed from a fresco of Mary in imperial regalia in the St Maria Antiqua complex, situated close to the Palatine and occupied by Narses the Eunuch and his army in the sixth century. Some of these images have been confused with Coronation of the Virgin iconography. Most were commissioned by popes who initially suffered, but subsequently overcame, challenges to their status. The chapter suggests this iconography became popular amongst these popes because it drew attention to unique papal links with the Byzantine Court, where the papacy negotiated with the emperor over final decisions on Christian Doctrine. Perhaps surprisingly, given this iconography probably developed via eastern influences no images of Mary dressed in this way survive in the East.","PeriodicalId":150556,"journal":{"name":"The Oxford Handbook of Mary","volume":"6 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Papacy and Maria Regina Imagery in Roman Churches between the Sixth and Twelfth Centuries\",\"authors\":\"E. Rubery\",\"doi\":\"10.1093/oxfordhb/9780198792550.013.29\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"A small subgroup of sixth–twelfth century Marian images in Rome portray Mary in be-gemmed garments characteristic of a Byzantine empress rather than a modest virgin. Such images may have developed from a fresco of Mary in imperial regalia in the St Maria Antiqua complex, situated close to the Palatine and occupied by Narses the Eunuch and his army in the sixth century. Some of these images have been confused with Coronation of the Virgin iconography. Most were commissioned by popes who initially suffered, but subsequently overcame, challenges to their status. The chapter suggests this iconography became popular amongst these popes because it drew attention to unique papal links with the Byzantine Court, where the papacy negotiated with the emperor over final decisions on Christian Doctrine. Perhaps surprisingly, given this iconography probably developed via eastern influences no images of Mary dressed in this way survive in the East.\",\"PeriodicalId\":150556,\"journal\":{\"name\":\"The Oxford Handbook of Mary\",\"volume\":\"6 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-08-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Oxford Handbook of Mary\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oxfordhb/9780198792550.013.29\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Oxford Handbook of Mary","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oxfordhb/9780198792550.013.29","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Papacy and Maria Regina Imagery in Roman Churches between the Sixth and Twelfth Centuries
A small subgroup of sixth–twelfth century Marian images in Rome portray Mary in be-gemmed garments characteristic of a Byzantine empress rather than a modest virgin. Such images may have developed from a fresco of Mary in imperial regalia in the St Maria Antiqua complex, situated close to the Palatine and occupied by Narses the Eunuch and his army in the sixth century. Some of these images have been confused with Coronation of the Virgin iconography. Most were commissioned by popes who initially suffered, but subsequently overcame, challenges to their status. The chapter suggests this iconography became popular amongst these popes because it drew attention to unique papal links with the Byzantine Court, where the papacy negotiated with the emperor over final decisions on Christian Doctrine. Perhaps surprisingly, given this iconography probably developed via eastern influences no images of Mary dressed in this way survive in the East.