电影中的僵尸启示录作为一种适应新数字技术的形式及其后果

Tangalycheva Rumiya
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引用次数: 0

摘要

本报对描写科学实验室发生化学物质泄漏后僵尸末日的延相昊导演的电影《釜山行》进行了分析。导演关注的是社会不同阶层、群体和社会机构的代表对悲剧的反应。最终,影片的意识形态导致了资本主义效率与社会正义之间的两难选择。本文从社会学方法和社会学概念的角度对这些问题进行了分析。本文讨论了界定创造力的主要途径,包括跨学科的途径;此外,作者强调了在心理学、哲学和经济学的交叉点上对创造力的定义和理解的系统方法。作者通过棱镜揭示了电影制作人作品分析的细节
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Zombie Apocalypse in Cinema as a Form of Adaptation to New Digital Technologies and Their Consequences
: The article is devoted to the analysis of the film “Train to Busan” by South Korean film director Yeon Sang-ho, which depicts the situation of a zombie apocalypse after a chemical leak from a scientific laboratory. The director focuses on the reaction of representatives of different strata, groups and social institutions of society to the tragedy. Ultimately, the film’s ideology leads to a dilemma between capitalist efficiency and social justice. These subjects are analyzed in the article from the positions of sociological approaches and concepts. Abstract This article discusses the main approaches to the definition of creativity, including interdisciplinary ones; in addition, the author highlights a systematic approach to the definition and understanding of creativity at the intersection of psychology, philosophy, and economics. The author reveals the specifics of the analysis of the filmmaker’s work through the prism
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