佩罗·斯利耶夫·耶维奇作品对中世纪艺术研究的展望

Časlav V. Nikolić
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引用次数: 0

摘要

本文介绍了塞尔维亚著名文学学者佩罗·斯里耶普耶维奇的作品中对塞尔维亚中世纪文化和艺术的基本认识。20世纪30年代,在斯科普里的生活和工作中,slijep evovic与塞尔维亚文化传统的象征有了直接的接触,因此他对中世纪的宗教艺术和建筑、历史和文学更加熟悉。Pero slijepevovic关于古代塞尔维亚艺术的作品,其历史,文化,神圣和象征价值,通常被视为作者整体和高度语言学,教学,文化和社会参与的边缘。然而,他们可以识别思想的重要观点和对塞尔维亚文化和艺术的当代历史化的相关贡献。虽然这些作品在某种程度上是隐藏的,沉默在Pero slijep eviki的整体工作和参与的地平线上,他对中世纪艺术的思考是slijep eviki知识的多样性和对艺术和时代的科学研究的真实天赋的一个标志,也是文化经验的深度。没有它,即使是文学、文化或教育表达的中心层面也不可能如此强烈地实现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The prospects of the study of medieval arts in the works of Pero Slijepčević
The paper presents the basic positions of understanding of Serbian medieval culture and art in the works of the renowned scholar of Serbian literature Pero Slijepčević. During his life and work in Skoplje in the 1930s, Slijepčević was in direct contact with the signifiers of the Serbian cultural tradition, so he became more familiar with sacral art and architecture, history and literature of the Middle Ages. Pero Slijepčević's works on ancient Serbian art, its historical, cultural, sacral and symbolic values, are usually viewed at the margins of their author's overall and highly philological, pedagogical, cultural and social engagement. And yet, they can identify important perspectives on thought and relevant contributions to the contemporary historization of Serbian culture and art. Although these works are somehow hidden, silent in the horizon of Pero Slijepčević's overall work and engagement, his thought about the art of the Middle Ages is as much an indicator of the diversity of Slijepčević's knowledge and authentic gift for the scientific study of that art and time, as much of the depth of cultural experience. Without which even the central dimensions of literary, cultural or educational expression could not be so strongly realized.
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