列宁格勒对象设计在“列宁格勒风格”的语境下发展

D. Siepanova
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引用次数: 0

摘要

列宁格勒物体设计是俄罗斯艺术文化的一种现象。主题和情节的选择,语言的选择很大程度上取决于寻找列宁格勒身份的过程。正是这一因素在评估的基础上进行了准备,使得艺术家们能够将列宁格勒设计作为“列宁格勒风格”风格体系的一个元素来谈论。文章论述了它们与城市文化符码形成的联系,并反过来影响了语言复制方式的生态认同选择。本研究的目的是通过“列宁格勒风格”的棱镜来研究列宁格勒艺术家的本质,作为二十世纪装饰艺术的一种独立现象。该研究的方法论基础是对艺术史分析方法的呼吁:比较和风格分析,图像学和图像学方法。作为研究的结果,作者得出结论,在物体设计的发展中,有可能追踪所有主要的分类特征(包括已识别的和有意义的),“列宁格勒风格”的属性。风格,在关系到主题研究、运用一腔连接美学内容的情况下,从设计作为艺术的角度出发,指的是技术和工艺的特点,指的是实际实施和社会语境,以及设计的主要来源——应用艺术,所实现的时期和用途的属性
本文章由计算机程序翻译,如有差异,请以英文原文为准。
LENINGRAD OBJECT DESIGN IN THE CONTEXT OF THE DEVELOPMENT OF THE "LENINGRAD STYLE"
Leningrad object design is a phenomenon of Russian artistic culture. The selection of themes and plots, the selected language is largely determined by the process of searching for the Leningrad identity. It is this factor in the assessment with the basis of preparation that allows artists to talk about Leningrad design as an element of the “Leningrad style” style system. The article states that their connection with the formation of the cultural code of the city and inversely affects the ecological identity of the selection of means of language reproduction. The purpose of this study is to study the nature of Leningrad artists through the prism of the "Leningrad style", as an independent phenomenon of the decorative art of the XX century. The methodological basis of the study is an appeal to the method of art history analysis: comparative and stylistic analysis, methods of iconography and iconology. As a result of the study, the author comes to the conclusion that in the development of object design it is possible to trace all the main categorical characteristics (both identified and meaningful), properties of the "Leningrad style". Style, in relation to subject research, the use of a chamber connection of aesthetic content, from the point of view of design as art, technical and technological features, referring to the actual implementation and social context, and the primary source of design - applied art, the properties of the realized period and use
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