把记忆作为一种多模式的成就

Stefan Pfänder, Philipp Freyburger, D. Marzo, Ignacio Satti
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引用次数: 0

摘要

本研究调查了二战期间讲意大利语的劳改营目击者的口述历史访谈中,记忆是如何被公开展示的。我们关注的是第一人称指示式mi ricordo(“我记得”)的用法。在这一特殊的叙事体裁中,叙述者经常使用幻听,因为它使记忆的行为变得公开。借鉴互动语言学的方法,我们确定了两种涉及使用“穿插”的做法:将过渡投射到特定情节的叙述中,并展示对事实的认知可信度。我们认为,这些实践分别对应于mi - ricordo的前瞻性和回顾性范围。此外,细粒度的多模态分析表明,叙述者通过反复出现的多模态格式塔来识别“幻听”的范围,这些格式塔包括语言、韵律和身体资源。在讨论中,我们认为可识别的格式塔是处理口述历史访谈中记忆的突现特征和与这种特定交际类型相关的互动任务的常规方法。研究结果强调,记忆是一项多模式的成就。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Doing remembering as a multimodal accomplishment
The present study investigates how remembering is publicly displayed during storytelling in Oral History Interviews with Italian-speaking witnesses of labor camps during WWII. We focus on the use of the first-person indicative mi ricordo (‘I remember’). In this particular narrative genre, mi ricordo is recurrently used by narrators, as it makes the act of remembering publicly accessible. Drawing upon the methods of Interactional Linguistics, we identify two practices involving the use of mi ricordo: projecting the transition to the narration of a specific episode and displaying epistemic credibility towards facts. We argue that these practices correspond respectively to prospective and retrospective scopes of mi ricordo. Furthermore, a fine-grained multimodal analysis shows that narrators make the scopes of mi ricordo recognizable through recurrent multimodal gestalts, which encompass verbal, prosodic and bodily resources. In the discussion, we argue that the recognizable gestalts are routinized ways of dealing with the emergent character of remembering in oral history interviews and with the interactional tasks that are relevant in this particular communicative genre. The findings highlight that doing remembering is a multimodal accomplishment.
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