Scott MacDonald
{"title":"Nikolaus Geyrhalter","authors":"Scott MacDonald","doi":"10.1093/oso/9780190052126.003.0006","DOIUrl":null,"url":null,"abstract":"This is the first career interview with Austrian documentary filmmaker Nikolaus Geyrhalter, whose films, like those of Fred Wiseman, often focus on cultural institutions, though with a radically different sensibility. Geyrhalter’s most widely known film in the United States is Our Daily Bread (2005), his astonishing documentation of mass food production within the European community. Geyrhalter’s films are visually rigorous and formal—he was a photographer before he turned to filmmaking and is his own cinematographer. His films have explored cultural realities far and wide, from the aftermath of the Balkan wars of the 1990s to the plight of workers laid off from an Austrian factory during the years after the factory closed. His most elaborate film is Elsewhere (2000), a global survey of the edges of modern life and cultural transformation at the moment of the new millennium. The recent Homo Sapiens is a panorama of ruined places and landscapes across the planet at the dawn of the Anthropocene.","PeriodicalId":340006,"journal":{"name":"The Sublimity of Document","volume":"44 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Sublimity of Document","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780190052126.003.0006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

这是对奥地利纪录片导演Nikolaus Geyrhalter的第一次职业采访,他的电影和Fred Wiseman的电影一样,经常关注文化机构,尽管有着完全不同的敏感性。盖哈尔特在美国最广为人知的电影是《我们的每日面包》(2005),他惊人地记录了欧洲共同体的大规模食品生产。盖哈尔特的电影在视觉上严谨而正式——他在转向电影制作之前是一名摄影师,现在是他自己的电影摄影师。从20世纪90年代巴尔干战争的余波,到奥地利一家工厂倒闭后几年下岗工人的困境,他的电影对文化现实进行了广泛的探索。他最精致的电影是《别处》(2000),这是一部对新千年之际现代生活边缘和文化转型的全球调查。最近的智人是人类世初期地球上被毁坏的地方和景观的全景图。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Nikolaus Geyrhalter
This is the first career interview with Austrian documentary filmmaker Nikolaus Geyrhalter, whose films, like those of Fred Wiseman, often focus on cultural institutions, though with a radically different sensibility. Geyrhalter’s most widely known film in the United States is Our Daily Bread (2005), his astonishing documentation of mass food production within the European community. Geyrhalter’s films are visually rigorous and formal—he was a photographer before he turned to filmmaking and is his own cinematographer. His films have explored cultural realities far and wide, from the aftermath of the Balkan wars of the 1990s to the plight of workers laid off from an Austrian factory during the years after the factory closed. His most elaborate film is Elsewhere (2000), a global survey of the edges of modern life and cultural transformation at the moment of the new millennium. The recent Homo Sapiens is a panorama of ruined places and landscapes across the planet at the dawn of the Anthropocene.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信