探索秘鲁卡斯马山谷早期陶瓷雕像背后的技术和意义

S. Pozorski, T. Pozorski
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引用次数: 1

摘要

Sechín上政体,以秘鲁北部海岸的卡斯玛山谷为中心,在最初时期(公元前2100-1000年)建造了新世界最大的土堆结构。该政体将至少六个内陆遗址和三个沿海卫星国联合成一个政治和经济合作单位,在这个单位内,不同的遗址和不同的纪念性结构具有不同但互补的功能。在定义Sechín Alto政体的文物中,最突出的是陶瓷小雕像。例子通常来自家庭或住宅环境;大多数(超过350个碎片)是从Sechín Alto遗址(政治首都)找到的,那里可能是它们的制造地。安第斯考古中的雕像图像学将它们与Cerro Sechín石雕中描绘的战士和受害者联系起来,并扩展到Sechín Alto Polity内装饰Moxeke神庙丘的拟人浮雕。这些数据表明,卡斯玛雕像可能代表了不同的人群,这些人群反过来反映了卡斯玛山谷社会的神圣与世俗方面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Exploring the Technology and Meaning behind Early Ceramic Figurines from the Casma Valley, Peru
The Sechín Alto Polity, centered in the Casma Valley on the north coast of Peru, constructed the largest mound structures in the New World during the Initial Period (2100–1000 B.C.). The polity united at least six inland sites and three coastal satellites into a political and economically cooperative unit within which different sites and different monumental structures had distinct, but complementary, functions. Prominent among the artifacts that define the Sechín Alto Polity are ceramic figurines. Examples are consistently from domestic or residential contexts; most (more than 350 fragments) were recovered from Sechín Alto site, the polity capital, where they were likely manufactured. Iconography within Andean archaeology of the figurines connects them with warrior figures and victims depicted in the Cerro Sechín stone carvings and by extension with anthropomorphic friezes that adorn the temple mound of Moxeke within the Sechín Alto Polity. These data suggest that the Casma figurines may represent distinct groups of people who in turn reflected sacred vs. secular aspects of Casma Valley society.
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